EUPHUES had addressed a dedication to the 'Ladies and Gentlewomen of England,' and had said openly that he would rather lie shut in a tiring closet than open in a study; but, writing for women as he did, he never tried to write as if he were himself a woman. On the contrary, Lyly's attitude was that of the gallant. The Elizabethan romancers who followed him were read by women but content to be men. Mrs. Behn, whose 'weltering sewerage' we have not had space to discuss, wrote for women, but certainly not less coarsely than if she had been writing for her own heroes. It was not until the eighteenth century that there was fairly launched a new story-telling, characteristically English in origin, without the fine careless heroism and improbability of romance, that it held was 'calculated for amusement only,' and different also from the mischievous realism of the picaresque. These ships, with their gallant scarlet and gold pennons, and their merry skull and cross-bones, had been long afloat before there came to join them a white barge with a lily at the prow and on her decks girls in white dresses, with their heads close together telling stories to each other. The author of a tale had hitherto been either a man, a god, or a rascal; he had never been content to be a girl. And the first of the new craftswomen was a fat and solid little printer and alderman of the City of London, called Samuel Richardson. [Samuel Richardson.] Richardson was an author of a kind quite new to English letters--neither a great gentleman like Sidney, nor a roisterer like Greene, nor a fanatic preacher like Bunyan, nor a journalist like Defoe; just a quiet, conscientious, little business man, who, after a duteous apprenticeship, had married his master's daughter like a proper Whittington, and, when she died, had married again, with admirable judgment in each case. It is not every one who can marry two wives and be unhappy with neither. As a boy, he had written love-letters for young women who were shy of their abilities. Girlish in his youth, he had preferred the tea-table to the tavern. Surrounded by women in his manhood, he was a grotesque little figure of a man, as inquisitive as an old maid, as serious over detail as a village gossip; walking in the Park, and looking at the feet of the women he met, and, as they passed him, quickly scanning their faces, and saying to himself, 'that kind of person,' or 'this kind of person,' and then going on to observe and summarise the next. He was accustomed, like a Japanese draughtsman, or a woman in a theatre, to complete and instantaneous observation. His was just the mind to show women what they could do; and this, with their constant applause and help, he did. [Illustration: SAMUEL RICHARDSON]