A History of Story-telling: Studies in the development of narrativeRansome, Arthur
History
A History of Story-telling: Studies in the development of narrative
Ransome, Arthur
Fiction -- History and criticism; Narration (Rhetoric); Storytelling -- History
He had a lifetime of feminine society behind him when he was asked
to write a series of letters on 'the useful concerns in common life'
for the guidance of servant-girls, and, setting himself to the task,
produced _Pamela, or Virtue Rewarded_, and then, stepping on from his
success, _Clarissa Harlowe_, and finally the monstrous _Grandison_.
The books were written in a close atmosphere of femininity. 'My
worthy-hearted wife and the young lady who is with us, when I had read
them some part of the story, which I had begun without their knowing
it, used to come into my little closet every night, with--"Have you any
more of Pamela, Mr. R.? We are come to hear a little more of Pamela."'
Every letter of Clarissa's was canvassed by the tea-parties that wept
and trembled for her fate, and worshipped her proud little creator.
And all his friends contributed their ideas of the perfect man to the
making of Sir Charles Grandison. No author had ever written so before.
[The novel by post.]
I believe that the femininity of the resulting books was due to his
choice of the epistolary method as well as to his own temperament, and
his enviable opportunities of studying the character of the audience
at which he aimed. If he had not happened upon it, if he had tried
to tell his stories in the manner fashionable at the time, they would
but have been exaggerations and amplifications of tales that Steele
would have put most comfortably into a single number of _The Tatler_
or _Spectator_. If he had used the autobiographical form he would have
been prohibited from much of his detail, and all the effect of lighting
his subject from several points of view. But letters were so new in
story-telling that they helped him to be new himself, just as a new
and unusual fashion of coat helps a man to be militantly original,
within as well as without. And then letters, always describing events
that have scarcely happened, excuse the most unlimited detail, the
most elaborately particularised gossip or confession. Letters were the
perfect medium for the expression of the feminine mind.
Public-domain text, read in full here on John Shaqi.
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