A History of Sumer and Akkad: An account of the early races of Babylonia from prehistoric times to the foundation of the Babylonian monarchyKing, L. W. (Leonard William)
History
A History of Sumer and Akkad: An account of the early races of Babylonia from prehistoric times to the foundation of the Babylonian monarchy
King, L. W. (Leonard William)
Akkadians; Babylonia -- History; Sumerians
[88] When passing by this route into Persia from Turkey, in the
spring of 1904, I made a careful study of all the sculptured panels
on both sides of the Hulvan. The second largest panel is that of this
early Semitic king; on the ledge below the sculpture are traces of
an inscription, of which sufficient is preserved to prove that it is
written in Semitic Babylonian. The sculptured panel at Sheikh-Khân,
with its fragmentary Semitic inscription (De Morgan, op. city pl. x.),
is a very much ruder production, and is probably of a considerably
later date.
[89] See the panel on the cover of this volume; and cf. p. 217 f.
CHAPTER IX
THE LATER RULERS OF LAGASH
We have seen that the Dynasty of Akkad marks the culminating point
attained by the races of Sumer and Akkad during the earlier periods
of their history. It is true that the kings of this period owed much
to their immediate predecessors, but they added to and improved their
inheritance. Through long centuries of slow development the village
community had gradually been transformed into the city-state, and this
institution had flourished and had in its turn decayed before the
centralizing influence of the kingdoms of Sumer and Kish. It was on the
ruins of the latter monarchy that Shar-Gani-sharri founded his empire,
which differed from that of Kish in its extent, rather than in the
principles of its formation. A similarly close connection can be traced
between the cultural remains of the successive periods with which we
have hitherto been dealing. The rude, though vigorous, artistic efforts
of the earlier Sumerians furnished the models upon which the immigrant
Semites of Northern Babylonia improved. In the sculpture of Kish and
upon cylinder-seals of that period we see the transition between the
two styles, when the aim at a naturalistic treatment sometimes produced
awkward and grotesque results. The full attainment of this aim under
the patronage of the Akkadian kings gives their epoch an interest and
an importance, which, from their empire alone, it would not perhaps
have enjoyed.
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