The object is unfortunately broken into fragments, but enough of them have been recovered to indicate its character. Originally, it consisted of two circular blocks, placed one upon the other and sculptured on their outer edge with reliefs. They were perforated vertically with two holes which were intended to support maces, or other votive objects, in an upright position. The figures in the relief form two separate rows which advance towards one another, and at their head are two chiefs, who are represented meeting face to face (Fig. 9). It will be noticed that the chief on the left, who carries a bent club, has long hair falling on the shoulders and is bearded. Four of his followers on another fragment (Fig. 10) also have long hair and beards. The other chief, on the contrary, wears no hair on his face, only on his head, and, since his followers have shaven heads and faces,[42] we may conjecture that, like Eannatum on the Stele of the Vultures, he wears a wig. All the figures are nude to the waist, and the followers clasp their hands in token of subordination to their chiefs. The extremely rude character of the sculpture is a sufficient indication of its early date, apart from the fact that the fragments were found scattered in the lowest strata at Tello. The fashion of indicating the hair is very archaic, and is also met with in a class of copper foundation-figures of extremely early date.[43] The monument belongs to a period when writing was already employed, for there are slight traces of an inscription on its upper surface, which probably recorded the occasion of the meeting of the chiefs. Moreover, from a fifth fragment that has been discovered it is seen that the names and titles of the various personages were engraved upon their garments. The monument thus belongs to the earliest Sumerian period, and, if we may apply the rule as to the treatment of the hair which we have seen holds good for the later periods, it would follow that at this time the Semite was already in the land. The scene, in fact, would represent the meeting of two early chieftains of the Sumerians and Semites, sculptured to commemorate an agreement or treaty which they had drawn up. [Illustration: Fig. 12.--Limestone panel sculptured in relief, with a scene representing Gudea being led by Ningishzida and another god into the presence of a deity who is seated on a throne.--In the Berlin Museum; _cf. Sum. und Sem._, Taf. VII.]