A History of the Cries of London, Ancient and ModernHindley, Charles
History
A History of the Cries of London, Ancient and Modern
Hindley, Charles
Cries -- England -- London; London (England) -- Social life and customs
The pavement and the road are crowded with purchasers and street-sellers.
The housewife in her thick shawl, with the market-basket on her arm, walks
slowly on, stopping now to look at the stall of caps, and now to cheapen a
bunch of greens. Little boys, holding three or four onions in their hands,
creep between the people, wriggling their way through every interstice,
and asking for custom in whining tones, as if seeking charity. Then the
tumult of the thousand different cries of the eager dealers, all shouting
at the top of their voices, at one and the same time, is almost
bewildering. "So-old again," roars one. "Chesnuts, all'ot, a penny a
score," bawls another. "An 'aypenny a skin, blacking," squeaks a boy.
"Buy, buy, buy, buy,--bu-u-uy!" cries the butcher. "Half-quire of paper
for a penny," bellows the street-stationer. "An 'apenny a lot ing-uns."
"Twopence a pound, grapes." "Three a penny! Yarmouth bloaters." "Who'll
buy a bonnet for fourpence?" "Pick 'em out cheap here! three pair for
a-halfpenny, bootlaces." "Now's your time! beautiful whelks, a penny a
lot." "Here's ha'p'orths," shouts the perambulating confectioner. "Come
and look at'em! here's toasters!" bellows one with a Yarmouth bloater
stuck on a toasting fork. "Penny a lot, fine russets," calls the apple
woman: and so the Babel goes on.
One man stands with his red-edge mats hanging over his back and chest,
like a herald's coat; and the girl with her basket of walnuts lifts her
brown-stained fingers to her mouth, as she screams, "Fine warnuts! sixteen
a penny, fine war-r-nuts." A bootmaker, to "ensure custom," has
illuminated his front-shop with a line of gas, and in its full glare
stands a blind beggar, his eyes turned up so as to show only "the whites,"
and mumbling some begging rhymes, that are drowned in the shrill notes of
the bamboo-flute-player next to him. The boy's sharp cry, the woman's
cracked voice, the gruff, hoarse shout of the man, are all mingled
together. Sometimes an Irishman is heard with his "fine ating apples," or
else the jingling music of an unseen organ breaks out, as the trio of
street singers rest between the verses.
Public-domain text, read in full here on John Shaqi.
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