A History of the Cries of London, Ancient and ModernHindley, Charles
History
A History of the Cries of London, Ancient and Modern
Hindley, Charles
Cries -- England -- London; London (England) -- Social life and customs
Then the sights, as you elbow your way through the crowd are equally
multifarious. Here is a stall glittering with new tin saucepans; there
another, bright with its blue and yellow crockery, and sparkling with
white glass. Now you come to a row of old shoes arranged along the
pavement; now to a stand of gaudy tea-trays; then to a shop with red
handkerchiefs and blue checked shirts, fluttering backwards and forwards,
and a counter built up outside on the kerb, behind which are boys
beseeching custom. At the door of a tea-shop, with its hundred white
globes of light, stands a man delivering bills, thanking the public for
past favours, and "defying competition." Here, along side the road, are
some half-dozen headless tailors' dummies, dressed in Chesterfields and
fustian jackets, each labelled:--"Look at the prices," or "Observe the
quality." After this a butcher's shop, crimson and white with meat piled
up to the first-floor, in front of all the butcher himself, in his blue
coat, walks up and down, sharpening his knife on the steel that hangs to
his waist. A little further on stands the clean family, begging; the
father with his head down as if in shame, and a box of lucifers held forth
in his hand--the boys in newly-washed pinafores, and the tidyly got up
mother with a child at her breast. This stall is green and white with
bunches of turnips--that red with apples, the next yellow with onions, and
another purple with pickling cabbages. One minute you pass a man with an
umbrella turned inside up and full of prints; the next, you hear one with
a peepshow of Mazeppa, and Paul Jones the pirate, describing the pictures
to the boys looking in at the little round windows. Then is heard the
sharp snap of the purcussion-cap from the crowd of lads firing at the
target for nuts; and the moment afterwards, you see either a black man
half-clad in white, and shivering in the cold with tracts in his hand, or
else you hear the sounds of music from "Frazier's Circus," on the other
side of the road, and the man outside the door of the penny concert,
beseeching you to "Be in time--be in time!" as Mr. Somebody is just about
to sing his favourite song of the "Knife Grinder." Such, indeed, is the
riot, the struggle, and the scramble for a living, that the confusion and
the uproar of the New-cut on Saturday night have a bewildering and sad
effect upon the thoughtful mind.
Public-domain text, read in full here on John Shaqi.
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