A History of the Cries of London, Ancient and ModernHindley, Charles
History
A History of the Cries of London, Ancient and Modern
Hindley, Charles
Cries -- England -- London; London (England) -- Social life and customs
Well, despite of some thousand objections pedantic,
The "Great Western" has cross'd and _re-cross'd_ the Atlantic,
Nor is _this_ the first time--to the foe's consternation--
That the deeds of our tars have defied calculation.
Though few of our learned professors did dream
That our seamen in steamers would reach the gulf stream,
Yet a fortnight's vibration, from Bristol or Cork,
Will now set us down with our friends at New York;
And a closer acquaintance bind firmer than ever,
A friendship which nothing on earth ought to sever.
* * * * *
* * * * *
EPILOGUE.
Now having conducted his well-meant effusion
Thus far on its way to a happy conclusion,
Your Bellman, tho' not quite so fresh as at starting,
Would still have a word with his patrons at parting,
Just by way of a cordial and kindly farewell,
For his heart, altho' softer, is sound as his bell,
And he cannot say more for himself or his strains,
Than, whatever his success, he has not spared pains;
And that blest in their kindness, and countenance steady,
His song and his services always are ready;
So he bids them adieu till next season appears--
May their wealth and their virtues increase with their years;
May they always have more than they ever can spend,
With the soul to help on a less fortunate friend;
And their Bellman continue to cudgel his brain,
For their yearly amusement, again and again.
+-----------------------------------------------------+
|_Cheap and Expeditious Printing by Steam Machinery, |
|executed by_ C. REYNELL, 16, _Little Pulteney Street,|
|Golden Square._--First printed in 1735. |
+-----------------------------------------------------+
There is a very rare sheet of woodcuts in the Print-room of the British
Museum, containing twelve cries, with figures of the "Criers" and the
cries themselves beneath. The cuts are singularly characteristic, and may
be assigned with safety, on the authority of Mr. John Thomas Smith, the
late keeper of the prints and drawings, as of the same date as Ben
Jonson's "fish-wives," "costard-mongers," and "orange women."
No. 1 on the sheet, is the "Watch;" he has no name, but carries a staff
and a lanthorn, is well secured in a good frieze gabardine,
leathern-girdle, and wears a serviceable hat to guard against the weather.
The worthy here depicted has a most venerable face and beard, showing how
ancient was the habit of parish officers to select the poor and feeble for
the office of watchman, in order to keep them out of the poor-house. The
"cry" of the "watch" is as follows:--
"A light here, maids, hang out your light,
And see your horns be clear and bright,
That so your candle clear may shine,
Continuing from six till nine;
That honest men that walk along,
May see to pass safe without wrong."
Public-domain text, read in full here on John Shaqi.
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