A History of the Cries of London, Ancient and ModernHindley, Charles
History
A History of the Cries of London, Ancient and Modern
Hindley, Charles
Cries -- England -- London; London (England) -- Social life and customs
I am a man out of all business, and would willingly turn my head to
anything for an honest livelihood. I have invented several projects for
raising many millions of money without burdening the subject, but I cannot
get the parliament to listen to me, who look upon me forsooth as a crack,
and a projector; so that despairing to enrich either myself or my country
by this public-spiritedness, I would make some proposals to you relating
to a design which I have very much at heart, and which may procure me a
handsome subsistence, if you will be pleased to recommend it to the cities
of London and Westminster.
The post I would aim at, is to be comptroller-general of the London cries,
which are at present under no manner of rules or discipline. I think I am
pretty well qualified for this place, as being a man of very strong lungs,
of great insight into all the branches of our British trades and
manufactures, and of a competent skill in music.
The cries of London may be divided into vocal and instrumental. A freeman
of London has the privilege of disturbing a whole street for an hour
together with the twankling of a brass kettle or a frying-pan. The
watchman's thump at midnight startles us in our beds, as much as the
breaking in of a thief. The sow-gelder's horn has indeed something musical
in it, but this is seldom heard within the liberties. I would therefore
propose that no instrument of this nature should be made use of, which I
have not tuned and licensed, after having carefully examined in what
manner it may affect the ears of her majesty's liege subjects.
Vocal cries are of a much larger extent, and indeed so full of
incongruities and barbarisms, that we appear a distracted city to
foreigners, who do not comprehend the meaning of such enormous outcries.
Milk is generally sold in a note above _Ela_, and it sounds so exceedingly
shrill, that it often sets our teeth on edge. The chimney-sweeper is
confined to no certain pitch; he sometimes utters himself in the deepest
bass, and sometimes in the sharpest treble; sometimes in the highest, and
sometimes in the lowest note of the gamut. The same observation might be
made on the retailers of small coal, not to mention broken glasses or
brick-dust. In these therefore, and the like cases, it should be my care
to sweeten and mellow the voices of these itinerant tradesmen, before they
make their appearance in our streets, as also to accommodate their cries
to their respective wares; and to take care in particular, that those may
not make the most noise who have the least to sell, which is very
observable in the venders of card matches, to whom I cannot but apply that
old proverb of _Much cry, but little wool_.
Public-domain text, read in full here on John Shaqi.
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