A History of the Cries of London, Ancient and ModernHindley, Charles
History
A History of the Cries of London, Ancient and Modern
Hindley, Charles
Cries -- England -- London; London (England) -- Social life and customs
Some of these last mentioned musicians are so very loud in the sale of
these trifling manufactures, that an honest splenetic gentleman of my
acquaintance bargained with one of them never to come into the street
where he lived; but what was the effect of this contract? Why, the whole
tribe of card-match-makers which frequent that quarter, passed by his door
the very next day, in hopes of being bought off after the same manner.
It is another great imperfection in our London-cries, that there is no
just time nor measure observed in them. Our news should indeed be
published in a very quick time, because it is a commodity that will not
keep cold. It should not, however, be cried with the same precipitation as
fire; yet this is generally the case: a bloody battle arms the town from
one end to another in an instant. Every motion of the French is published
in so great a hurry, that one would think the enemy were at our gates.
This likewise I would take upon me to regulate in such a manner, that
there should be some distinction made between the spreading of a victory,
a march, or an encampment, a Dutch, a Portugal, or a Spanish mail. Nor
must I omit, under this head, those excessive alarms with which several
boisterous rustics infest our streets in turnip-season; and which are
more inexcusable, because these are wares which are in no danger of
cooling upon their hands.
There are others who affect a very slow time, and are, in my opinion, much
more tunable than the former; the cooper in particular swells his last
note in a hollow voice, that is not without its harmony; nor can I forbear
being inspired with a most agreeable melancholy, when I hear that sad and
solemn air with which the public are very often asked, If they have any
chairs to mend? Your own memory may suggest to you many other lamentable
ditties of the same nature, in which music is wonderfully languishing and
melodious.
I am always pleased with that particular time of the year which is proper
for the pickling of dill and cucumbers; but alas! this cry, like the song
of the nightingale, is not heard above two months. It would therefore be
worth while to consider, whether the same air might not in some cases be
adapted to other words.
It might likewise deserve our most serious consideration, how far, in a
well-regulated city, those humourists are to be tolerated, who, not
content with the traditional cries of their forefathers, have invented
particular songs and tunes of their own: such as was not many years since,
the pastry-man, commonly known by the name of the Colly-Molly-Puff; and
such as is at this day the vender of powder and wash-ball, who, if I am
rightly informed, goes under the name of _Powder-Watt_.
[Illustration: COLLY-MOLLY-PUFF.]
Public-domain text, read in full here on John Shaqi.
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