A History of the Cries of London, Ancient and ModernHindley, Charles
History
A History of the Cries of London, Ancient and Modern
Hindley, Charles
Cries -- England -- London; London (England) -- Social life and customs
Hone, in "_The Table Book_," 1827, under an article on the Old London
cries has:--"A Shoeblack; A boy, with a small basket beside him, brushes a
shoe on a stone, and addresses himself to a wigged beau, who carries his
cocked hat under his left arm, with a crooked-headed walking stick in his
left hand, as was the fashion among the dandies of old times. I recollect
shoeblacks formerly at the corner of almost every street, especially in
great thoroughfares. There were several every morning on the steps of St.
Andrew's church, Holborn, till late in the forenoon. But the greatest
exhibition of these artists was on the site of Finsbury-square, when it
was an open field, and a depository for the stones used in paving and
street-masonry. There, a whole army of shoeblacks intercepted the citizens
and their clerks on their way from Islington and Hoxton to the
counting-houses and shops in the city, with 'Shoeblack, your honour! Black
your shoes, sir!'"
Each of them had a large, old tin-kettle, containing his apparatus,
viz:--a capacious pipkin, or other large earthen-pot, containing the
blacking, which was made of ivory-black, the coarsest moist sugar, and
pure water with a little vinegar--a knife, two or three brushes, and an
old wig. The old wig was an indispensable requisite to a shoeblack; it
whisked away the dust, or thoroughly wiped off the wet dirt, which his
knife and brushes could not entirely detach; a rag tied to the end of a
stick smeared his viscid blacking on the shoe, and if the blacking was
"real japan," it shone. The old experienced shoe-wearers preferred an
oleaginous, lustreless blacking. A more liquid blacking, which took a
polish from the brush, was of later use and invention. Nobody at that time
wore boots except on horseback; and everybody wore breeches and
stockings: pantaloons, or trousers, were unheard of. The old shoeblacks
operated on the shoes while they were on the feet, and so dexterously as
not to soil the fine white cotton stocking, which was at that time the
extreme of fashion, or to smear the buckles, which were universally worn.
Latterly, you were accommodated with an old pair of shoes to stand in, and
the yesterday's paper to read, while your shoes were cleaning and
polishing, and your buckles were whitened and brushed. When shoestrings
first came into vogue, the Prince of Wales (Geo. IV.) appeared with them
in his shoes, when immediately a deputation from the buckle-makers of
Birmingham presented a petition to his Royal Highness to resume the
wearing of buckles, which was good-naturedly complied with. Yet, in a
short time, shoestrings entirely superseded buckles. The first incursion
on the shoeblacks was by the makers of "Patent Cake Blacking" on sticks
formed with a handle, like a small battledoor; they suffered a more
fearful invasion from the makers of liquid blacking in bottles. Soon
afterwards, when "Day and Martin" manufactured the _ne plus ultra_ of
Public-domain text, read in full here on John Shaqi.
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