A History of the French Novel, Vol. 1: From the Beginning to 1800Saintsbury, George
History
A History of the French Novel, Vol. 1: From the Beginning to 1800
Saintsbury, George
French fiction -- History and criticism
It may perhaps without impropriety be repeated that these are not mere
fancies of the writer, but things reasonably suggested by and solidly
based upon "the French books," when these later are collated and, so to
speak, "checked" by Malory and the romances of adventure branching off
from them. But Arthur and Guinevere and Lancelot by no means exhaust the
material for advanced and complicated novel-work--in character as well
as incident--provided by the older forms of the Legend. There is Gawain,
who has to be put together from the sort of first draft of Lancelot
which he shows in the earlier versions, and the light-o'-love opposite
which he becomes in the later, a contrast continued in the Amadis and
Galaor figures of the Spanish romances and their descendants. There is
the already glanced at group of Arthur's sisters or half-sisters, left
mere sketches and hints, but most interesting. Not to be tedious, we
need not dwell on Palomides, a very promising Lancelot unloved; on
Lamoracke, left provokingly obscure, but shadowing a most important
possibility in the unwritten romance of one of those very sisters; Bors,
of whom Tennyson has made something, but not enough, in the later
_Idylls_; and others. But it is probably unnecessary to carry the
discussion of this matter further. It has been discussed and illustrated
at some length, because it shows how early the elements, not merely of
romance but of the novel in the fullest sense, existed in French
literature.
[_Here follows the noble passage above referred to between
Lancelot and King Bagdemagus after the death of
Meleagraunce, whose cousin Lancelot has just slain in
single combat for charging him with treason. He has kept his
helm on, but doffs it at the King's request._]
And when the King saw him he ran to kiss him, and began to make such joy
of him as none could overgo. But Lancelot said, "Ah, Sir! for God's
sake, make no joy or feast for me. Certainly you should make none, for
if you knew the evil I have done you, you would hate me above all men in
the world." "Oh! Lancelot," said he, "tell it me not, for I
understand[57] too well what you would say; but I will know[57] nothing
of it, because it might be such a thing" as would part them for ever.
FOOTNOTES:
[14] The subdivision of the _gestes_ does not matter: they were all
connected closely or loosely--except the Crusading section, and even
that falls under the Christian _v._ Saracen grouping if not under the
Carlovingian. The real "outside" members are few, late, and in almost
every case unimportant.
Public-domain text, read in full here on John Shaqi.
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