A History of the French Novel, Vol. 1: From the Beginning to 1800Saintsbury, George
History
A History of the French Novel, Vol. 1: From the Beginning to 1800
Saintsbury, George
French fiction -- History and criticism
[15] There are comic _episodes_ elsewhere; but almost the whole of this
poem turns on the _gabz_ or burlesque boasts of the paladins.--It may be
wise here to anticipate an objection which may be taken to these remarks
on the _chansons_. I have been asked whether I know M. Bedier's handling
of them; and, by an odd coincidence, within a few hours of the question
I saw an American statement that this excellent scholar's researches
"have revised our conceptions" of the matter. No one can exceed me in
respect for perhaps the foremost of recent scholars in Old French. But
my "conception" of the _chansons_ was formed long before he wrote, not
from that of any of his predecessors, but from the _chansons_
themselves. It is therefore not subject to "revisal" except from my own
re-reading, and such re-reading has only confirmed it.
[16] It is not of course intended to be preferred to the far more widely
known tale in which the heroine bears the same name, and which will be
mentioned below. But if it is less beautiful such beauty as it has is
free from the slightest _morbidezza_.
[17] And to this introduction our dealings with it here may be confined.
The accounts of the siege itself are of much less interest, especially
in connection with our special subject.
[18] A sort of companion handbook to the first part of this volume will
be found in the present writer's sketch of twelfth and thirteenth
century European literature, under the title of _The Flourishing of
Romance and the Rise of Allegory_, in Messrs. Blackwood's _Periods of
European Literature_ (Edinburgh and London, 1897), and another in his
_Short History of French Literature_ (Oxford, 7th ed. at press).
[19] It is scarcely rash to say that Cressid is the first representative
of this dread and delightful entity, and the ancestress of all its
embodiments since in fiction, as Cleopatra seems to have been in
history. No doubt "it" was of the beginning, but it lacked its _vates_.
Helen was different.
[20] _Faerie Queene_, v. iv. 1-20.
[21] I hope I may be allowed to emphasise the disclaimer, which I have
already made more than once elsewhere, of the very slightest disrespect
to this admirable scholar. The presumption and folly of such disrespect
would be only inferior to its ingratitude, for the indulgence with which
M. Paris consistently treated my own somewhat rash adventures in Old
French was extraordinary. But as one's word is one's word so one's
opinion is one's opinion.
[22] Sometimes _de_, but _a_ seems more analogical.
[23] Chrestien was rather like Chaucer in being apt not to finish. Even
the _Charette_ owes its completion (in an extent not exactly
determinable) to a certain Godfrey de Lagny (Laigny, etc.).
Public-domain text, read in full here on John Shaqi.
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