A History of the French Novel, Vol. 2: To the Close of the 19th CenturySaintsbury, George
History
A History of the French Novel, Vol. 2: To the Close of the 19th Century
Saintsbury, George
French fiction -- History and criticism
He (the supposed author) _was_ the most ordinary and insignificant
creature in the world. He had never either killed a policeman nor
committed suicide; he possessed neither pipe, nor dagger, _ni quoi que
ce soit qui ait du caractere_. He _did_ like cats (which taste
fortunately remained with Gautier himself throughout his life), and his
reflections on politics had arrived at a final result of zero (another
abiding feature, by the way, with "Theo"). He never could learn to play
at cards. He thought artists were merely mountebanks, etc., etc. But
some kind friends took him in hand and made him an accomplished
Jeune-France. He took to himself a very long _nom de guerre_, a very
short moustache, a middle parting to his hair (the history of the
middle parting would be worth writing), and a "delirious" waistcoat. He
learnt to smoke, and to get "Byronically" drunk. He bought an Italian
stiletto (by great luck he had a sallow complexion naturally); a silk
rope-ladder ("which is of the first importance"); several reams of paper
for love-letters, and a supply of rose-coloured and avanturine wax.[206]
He is going to be, if he is not as yet, "fatal," "vague,"
"fallen-angelical," "volcanic." There is only one desirable quality
which unkind fate has put beyond his reach. He is not, and cannot make
himself, an illegitimate child! Now, I am sorry for any one who, having
read this, cannot lean back in his chair and follow it up for himself by
a series of fancy pictures of Jeunes-something from 1830 to 1918.[207]
Public-domain text, read in full here on John Shaqi.
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