A History of the French Novel, Vol. 2: To the Close of the 19th Century — John Shaqi
A History of the French Novel, Vol. 2: To the Close of the 19th CenturySaintsbury, George
History
A History of the French Novel, Vol. 2: To the Close of the 19th Century
Saintsbury, George
French fiction -- History and criticism
Yet the thing, "dismal trash" as Sydney almost justly called it, is
perhaps worth reading once (nothing but the sternest voice of duty
could have made me read it twice) because of the existence of _Corinne_,
and because also of the undoubted fact that, here as there, though much
more surprisingly, a woman of unusual ability was drawing a picture of
what she would have liked to be--if not of what she actually thought
herself.[11] The borrowed beauty goes for nothing--it were indeed hard
if one did not, in the case of a woman of letters, "let her make her
dream All that she would," like Tennyson's Prince, but in this other
respect. The generosity, less actually exaggerated, might also pass.
That Delphine makes a frantic fool of herself for a lover whose
attractions can only make male readers shrug their shoulders--for though
we are _told_ that Leonce is clever, brave, charming, and what not, we
see nothing of it in speech or action--may be matter of taste; but that
her heroine's part should seem to any woman one worth playing is indeed
wonderful. Delphine behaves throughout like a child, and by no means
always like a very well-brought-up child; she never seems to have the
very slightest idea that "things are as they are and that their
consequences will be what they will be"; and though, once more, we are
_told_ of passion carrying all before it, we are never _shown_ it. It is
all "words, words." To speak of her love in the same breath with Julie's
is to break off the speech in laughter; to consider her woes and
remember Clarissa's is to be ready to read another seven or eight
volumes of Richardson in lieu of these three of Madame de Stael's.
And yet this lady could do something in the novel way, and, when the
time came, she did it.
[Sidenote: _Corinne._]
Between _Delphine_ and _Corinne_ Madame de Stael had, in the fullest
sense of a banal phrase, "seen a great of the world." She had lost the
illusions which the Duessa Revolution usually spreads among clever but
not wise persons at her first appearance, and had not left her bones,
as too many[12] such persons do, in the _pieuvre_-caves which the
monster keeps ready. She had seen England, being "coached" by
Crabb-Robinson and others, so as to give some substance to the vague
_philosophe-Anglomane_ flimsiness of her earlier fancy. She had seen
Republicanism turn to actual Tyranny, and had made exceedingly
unsuccessful attempts to captivate the tyrant. She had seen Germany, and
had got something of its then not by any means poisonous, if somewhat
windy, "culture"; a little romance of a kind, though she was never a
real Romantic; some aesthetics; some very exoteric philosophy, etc. She
had done a great deal of not very happy love-making; had been a woman of
letters, a patroness of men of letters, and--most important of all--had
never dismounted from her old hobby "Sensibility," though she had learnt
how to put it through new paces.
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