A History of the French Novel, Vol. 2: To the Close of the 19th CenturySaintsbury, George
History
A History of the French Novel, Vol. 2: To the Close of the 19th Century
Saintsbury, George
French fiction -- History and criticism
One of the author's longer books, _Andre le Savoyard_, is a curious
blend of the _berquinade_ with what some English critics have been kind
enough to call the "candour" of the more usual French novel. The
candour, however, is in very small proportion to the berquinity. This, I
suppose, helped it to pass the English censorship of the mid-nineteenth
century; for I remember a translation (it was the first book of the
author's I ever read) far away in the 'fifties, among a collection of
books where nothing flagrantly scabrous would have been admitted. It
begins, and for the most part continues, in an almost completely
Marmontelish or Edgeworthian fashion. A selfish glutton and
_petit-maitre_ of a French count, M. de Francornard, loses his way (with
a postilion, a valet, and his little daughter, whom he has carried off
from her mother) in the hills of Savoy, and is rescued and guested by a
good peasant, whom he rewards with a _petit ecu_ (three _livres_, not
five or six). The peasant dies, and his two eldest boys set out for
Paris as chimney-sweeps. The elder (eleven-year-old) Andre himself is
befriended by a good Auvergnat water-carrier and his little daughter
Manette; after which he falls in with the Francornards--now, after a
fashion, a united family. He is taken into their household and made a
sort of protege by the countess, the child Adolphine being also very
fond of him; while, though in another way, their _soubrette_ Lucile, a
pretty damsel of eighteen, is fonder still. Years pass, and the
fortunate Andre distributes his affections between the three girls.
Manette, though she ends as his wife, is more of a sister at first;
Adolphine is an adored and unhoped-for idol; while Lucile (it is hardly
necessary to say that it is in the scenes with her that "candour" comes
in) is at first a protectress, then a schoolmistress of the school of
Cupid, in process of time a mistress in the other sense, and always a
very good-natured and unselfish helper. In fact, Manette is so
preternaturally good (she can't even be jealous in a sufficiently human
way), Adolphine so prettily and at last tragically null, that one really
feels inclined to observe to Andre, if he were worth it, the recondite
quotation
Ne sit ancillae tibi amor pudori,
though perhaps seven years _is_ a long interval in the first third of
life.
[Sidenote: _Jean._]
Public-domain text, read in full here on John Shaqi.
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