A History of the French Novel, Vol. 2: To the Close of the 19th CenturySaintsbury, George
History
A History of the French Novel, Vol. 2: To the Close of the 19th Century
Saintsbury, George
French fiction -- History and criticism
A still better instance of the modified _berquinade_--indeed, except for
the absence of riotous fun, one of the best of all Paul de Kock's
books--is _Jean_, also an example of his middle and ripest period. If
translated into English it might have for second title "or, The History
of a Good Lout." The career of Jean Durand (one of the French
equivalents for John Brown or Jones or Robinson) we have from the moment
of, and indeed a little before, his birth to that crowning of a virtuous
young Frenchman's hopes, which consists in his marrying a pretty,
amiable, sensible, and well-to-do young widow.[49] Jean is the son of a
herbalist father who is an eccentric but not a fool, and a mother who
is very much of a fool but not in the least eccentric. The child, who is
born in the actual presence (result of the usual farcical opening) of a
corporal and four fusiliers, is put out to nurse at Saint-Germain in the
way they did then, brought home and put out to school, but, in
consequence of his mother's absurd spoiling, allowed to learn absolutely
nothing, and (though he is not exactly a bad fellow) to get into very
bad company. With two of the choicest specimens of this he runs away
(having, again by his mother's folly, been trusted with a round sum in
gold) at the age of sixteen, and executes a sort of picaresque journey
in the environs of Paris, till he is brought to his senses through an
actual robbery committed by the worst of his companions. He returns home
to find his father dead: and having had a substantial income left him
already by an aunt, with the practical control of his mother's
resources, he goes on living entirely _a sa guise_. This involves no
positive debauchery or ruination, but includes smoking (then, it must be
remembered, almost as great a crime in French as in English middle-class
circles), playing at billiards (ditto), and a free use of strong drink
and strong language. He spends and gives money freely, but does not get
into debt; flirts with grisettes, but falls into no discreditable
entanglement, etc., etc.
His most characteristic peculiarity, however, is his absolute refusal to
learn the rudiments of manners. He keeps his hat on in all companies;
neglects all neatness in dress, etc.; goes (when he _does_ go) among
ladies with garments reeking of tobacco and a mouth full of strange
oaths, and generally remains ignorant of, or recalcitrant to, every form
of conventional politeness in speech and behaviour.
Public-domain text, read in full here on John Shaqi.
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