A History of the Old English Letter Foundries: with Notes, Historical and Bibliographical, on the Rise and Progress of English Typography.Reed, Talbot Baines
History
A History of the Old English Letter Foundries: with Notes, Historical and Bibliographical, on the Rise and Progress of English Typography.
Reed, Talbot Baines
Printing -- England -- History; Type and type-founding -- England -- History
Of this specimen Rowe Mores (who informs us that it was printed at
the request of foreigners) falls foul as inaccurate. “The materials
from which this account (_i.e._, his summary of the contents of the
Foundry) is drawn,” he says, “are not so accurate as might have been
expected from an Archi-typographus and the Curators of the Sheldonian.
In excuse may be alleged that neither the Archi-typographus nor the
Curators are Letter-founders; certainly that the matter has not been
treated with that precision which in so learned a body should seem to
be requisite. For one instance among others, which might be produced,
take the Double Pica, Brevier and Nonpareil Hebrew, the only Hebrew
types the University then had. They are two-line English, English and
Long Primer. And this mistake has run through all the editions of the
Oxford specimen, and in the last of 1770, the leanest and the worst of
all, appears most glaringly. For this Brevier is placed immediately
under Caslon’s Long Primer, a diversity sufficient one would think to
show the blunder without the aid of a magnifier. The Nonpareil as it
is called is omitted in this last specimen, and so are many other sets
of matrices which have been given to the University, touching which
enquiry should be made out of respect (at least) to the memory of the
donors.”[296] {161}
Another specimen appeared in 1786, in which more of the old founts
are discarded in favour of more modern letters, among which are
noticeable several Roman founts cast on a large body, to obviate the
necessity of “leading”; including an English, cast for Mr. Richardson’s
_Dictionary_. Almost all the “learned” founts presented by Fell and
Junius are here shown, as well as a considerable number of borders and
ornamental initials.
In 1794 a still fuller specimen appeared, which included a Great Primer
Greek, cut by Caslon, and several new titling letters. To this specimen
is appended a detailed inventory, both of the punches and matrices at
that time in the possession of the University, and of the quantity of
type of various kinds in stock, with the utensils for printing.
The following is a summary of the foreign and “learned” punches and
matrices included in this catalogue:―
PUNCHES.
Anglo-Saxon 79
Arabic 33
Armenian 65
Black, English 72
Coptic, Pica 116
Gothic 25
Greek, Great Primer 114
Greek, Great Primer (Baskerville’s) 148
Greek, Double Pica 190
Greek, 2-line English 10
Hebrew, with points 20
Music 220
Runic 24
Samaritan, English 28
Saxon 21
Slavonian 106
Syriac, English 90
Turkish, Persian, Malayan 47
Public-domain text, read in full here on John Shaqi.
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