A History of the Old English Letter Foundries: with Notes, Historical and Bibliographical, on the Rise and Progress of English Typography.Reed, Talbot Baines
History
A History of the Old English Letter Foundries: with Notes, Historical and Bibliographical, on the Rise and Progress of English Typography.
Reed, Talbot Baines
Printing -- England -- History; Type and type-founding -- England -- History
The correspondence touching this transaction, amusing as it is, throws
a curious light on Rowe Mores’ character for exactitude, and it is
doubtful whether the publication of Mr. Bowyer’s first letter in the
_Dissertation_,[291] together with a few flattering compliments, was
an adequate atonement for the injury done to that gentleman by the
unwarrantable detention of his gift. Nor does the title under which the
gift was permitted to appear in the University specimen, suppressing
as it does all mention of the real donor’s name, and giving the entire
honour to the dilatory go-between, reflect any credit on the hero of
the transaction. The entry appears thus: “Characteres Anglo-Saxonici
per eruditam fœminam Eliz. Elstob ad fidem codd. mss. delineati; quorum
tam instrumentis cusoriis quam matricibus Univ. donari curavit E. R. M.
e Collegio Regin., A.M. 1753.
“Cusoria majuscula 42 (desunt [*AT] et Þ)
Matrices majusculæ 44.
Cusoria minuscula 37 (desunt e et ⁊)
Matrices minusculæ 39.”
It does not appear that these types were ever made use of at Oxford.
The punches and matrices remain in the University press to this
day.[292]
Between the Broadside sheet following the specimen of 1706, and 1768,
no specimen of the Oxford foundry occurs. There exists, however, in the
works issuing from the Press during that period ample testimony to its
activity. The proposal to print Dr. Mawer’s _Supplement to Walton’s
Polyglot_, with its types, is evidence of the continued reputation of
its “learned” founts; while such an admirable specimen of typography
as Blackstone’s _Charter of the Forest_, printed in 1759,[293] affords
proof that Oxford was not behindhand in that famous {160} revival
of printing which received such impetus from the taste and genius of
Baskerville.
The Delegates of the Press had, indeed, so high an opinion of the
talents of this famous artist, that they employed him in 1758 to cut
a fount of Great Primer Greek type for a _Greek Testament_ shortly to
be issued.[294] The performance was pronounced unsuccessful, but the
Greek types duly appeared, together with numerous other acquisitions,
including a Long Primer Syriac purchased from Caslon, in the _Specimen_
of 1768–70.[295]
Public-domain text, read in full here on John Shaqi.
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