A History of the Old English Letter Foundries: with Notes, Historical and Bibliographical, on the Rise and Progress of English Typography.Reed, Talbot Baines
History
A History of the Old English Letter Foundries: with Notes, Historical and Bibliographical, on the Rise and Progress of English Typography.
Reed, Talbot Baines
Printing -- England -- History; Type and type-founding -- England -- History
It was doubtless from this casual notice that Rowe Mores derived his
scant reference to Walpergen, of whom he knows nothing, save that he
founded at Oxford in 1683, was sometimes called Walperger, and by name
appears to have been a foreigner, therefore probably a “transient,” by
means of his countryman Michael Burghers, the University engraver.
Of Walpergen’s work little is known beyond the fact that he appears to
have devoted his attention chiefly to the production of Music type,
impressions of which appear in the University _Specimen_ of 1695. The
punches and matrices of this interesting fount are still preserved at
Oxford, and are singular relics of the old letter-founders’ art.[396]
[Illustration: 54. Music, cut by Walpergen, Oxford, _circ._ 1695. (From
the original matrices.)]
Although the Music was the only fount cut by Walpergen of which we
have any certain knowledge, it is probable that the experienced Dutch
artist, whom Bagford describes as an excellent workman, did not confine
his labours to that class of work. What were his exact relations with
the University Press is also a matter of conjecture. But it seems
probable, from the manner in which he is spoken of by Moxon, and in the
Oxford _Specimen_, that he practised as a letter-founder on his own
account, and not wholly as an official of the University.
He died in 1714.[397] Among the University archives is preserved an
inventory of his chattels, which, if a full account of his earthly
possessions, speaks {209} poorly for the profits of the profession of
letter-founding in those days. This highly interesting document runs as
follows[398]:―
_An inventory of the Chattels of Peter De Walpergen, deceased, taken
the tenth day of January 1714–5._
Being the Moiety of a Fount of Musick.
£ _s._ _d._
Two hunderd and two pounds weight of Mettal (? cast type)
at four pence per pound his part is 1 13 8
One hunderd fourty seven Matrices at one Shilling per
piece his part is 3 13 6
Nine quadrats at two pence per piece his part is 0 0 9
Four moulds at two shillings six pence per piece his part 0 5 0
Sixty three puncheons at five shillings (_i.e._, for the
lot) his part 0 2 6
Four cases at four shillings his part 0 2 0
Two galleys at two shillings his part 0 1 0
A box at sixpence his part 0 0 3
Appraised by us, LEONARD LICHFIELD.
RICHARD GREEN.
The extraordinarily low value of the punches is quite consistent with
the esteem in which these now precious steel originals were held at the
time, after once being struck.
Public-domain text, read in full here on John Shaqi.
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