A History of the Old English Letter Foundries: with Notes, Historical and Bibliographical, on the Rise and Progress of English Typography.Reed, Talbot Baines
History
A History of the Old English Letter Foundries: with Notes, Historical and Bibliographical, on the Rise and Progress of English Typography.
Reed, Talbot Baines
Printing -- England -- History; Type and type-founding -- England -- History
Experiments have proved conclusively that the face of a wood-cut type
may be without injury impressed into lead in a state of semi-fusion,
and thus produce _in creux_ an inverted image of itself in the matrix.
It has also been shown that a lead matrix so formed is capable, after
being squared and justified, {15} of being adapted to a mould,
and producing a certain number of types in soft lead or pewter
before yielding to the heat of the operation.[30] It has also been
demonstrated that similar matrices formed in clay or plaster, by the
application of the wood or metal models[31] while the substance is
moist, are capable of similar use.
Dr. Franklin, in a well-known passage of his Autobiography, gives
the following account of his experiences as a casual letter-founder
in 1727. “Our press,” he says, “was frequently in want of the
necessary quantity of letter; and there was no such trade as that of
letter-founder in America. I had seen the practice of this art at the
house of James, in London; but had at the time paid it very little
attention. I, however, contrived to fabricate a mould. I made use of
such letters as we had for punches, founded new letters of lead in
matrices of clay, and thus supplied in a tolerable manner the wants
that were most pressing.”[32] M. Bernard states that in his day the
Chinese characters in the Imperial printing-office in Paris were cast
by a somewhat similar process. The original wooden letters were moulded
in plaster. Into the plaster mould types of a hard metal were cast, and
these hard-metal types served as punches to strike matrices with in a
softer metal.[33]
In the Enschedé foundry at Haarlem there exists to this day a set of
matrices said to be nearly four hundred years old, which are described
as leaden matrices from punches of copper, “suivant l’habitude
des anciens fondeurs dans les premiers temps après l’invention de
l’imprimerie.”[34] By {16} the kindness of Messrs. Enschedé, we are
able to show a few letters from types cast in these venerable matrices.
[Illustration: 1. Types cast from leaden matrices (_circ._ 1500?) now
in the Enschedé foundry, Haarlem.]
Lead matrices are frequently mentioned as having been in regular use in
some of the early foundries of this country. A set of them in four-line
pica was sold at the breaking up of James’s foundry in 1782, and in the
oldest of the existing foundries to this day may be found relics of the
same practice.
At Lubeck, Smith informs us in 1755,[35] a printer cast for his own
use, “not only large-sized letters for titles, but also a sufficient
quantity of two-lined English, after a peculiar manner, by cutting his
punches on wood, and sinking them afterwards into leaden matrices; yet
were the letters cast in them deeper than the French generally are.”
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account