A History of the Old English Letter Foundries: with Notes, Historical and Bibliographical, on the Rise and Progress of English Typography.Reed, Talbot Baines
History
A History of the Old English Letter Foundries: with Notes, Historical and Bibliographical, on the Rise and Progress of English Typography.
Reed, Talbot Baines
Printing -- England -- History; Type and type-founding -- England -- History
The following extracts from letters in the possession of Mr. S.
Timmins, to whose industrious researches the student of typography is
indebted for much new light on the history of Baskerville’s career,
and to whose courtesy we are indebted for the present opportunity
of placing them before our readers, will {270} best describe the
marvellous industry and enthusiasm which carried our printer to the
successful issue of his great enterprise. The letters form part of
a correspondence between Baskerville and his friend R. Dodsley, the
publisher, respecting the preparations for his earliest printing
venture:―
_Baskerville to R. Dodsley._ 2nd October 1752.
“To remove in some measure your impatience, I have sent you an
impression of fourteen punches of the Two-lines Great Primer,
which have been begun and finished in nine days only, and contain
all the letters Roman necessary in the Titles and Half-titles. I
cannot forbear saying they please me, as I can make nothing more
correct, nor shall you see anything of mine much less so. You’ll
observe they strike the eye much more sensibly than the smaller
characters, tho’ equally perfect, till the press shows them to
more advantage. The press is creeping slowly towards perfection.
I flatter myself with being able to print nearly as good a colour
and smooth a stroke as the enclosed. I should esteem it a favour
if you’d send me the Initial Letters of all the Cantos lest they
should not be included in the said fourteen, and three or four
pages of any part of the Poem from whence to form a Bill for the
casting a suitable number of each letter. The R wants a few slight
touches, and the Y half an hour’s correction. This day we have
resolutely set about thirteen of the same siz’d Italic Capitals,
which will not be at all inferior to the Roman, and I doubt not to
complete them in a fortnight. You need, therefore, be in no pain
about our being ready by the time appointed. Our best respects to
Mrs. Dodsley and our friend, Mr. Beckett.”
_Baskerville to R. Dodsley._ 19th October 1752.
“As I proposed in my last, I have sent you impressions from a
candle of twenty Two-lines Great Primer Italick, which were begun
and finished in ten days only. We are now about the figures,
which are in good forwardness, and changing a few of those
letters we concluded finished. My next care will be to strike the
punches into copper and justify them with all the care and skill
I am master of. You may depend on my being ready by your time
(Christmas), but if more time could be allowed, I should make
use of it all in correcting and justifying. So much depends on
appearing perfect on first starting . . .”
_Baskerville to R. Dodsley._ 16th January 1754.
Public-domain text, read in full here on John Shaqi.
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