A History of the Old English Letter Foundries: with Notes, Historical and Bibliographical, on the Rise and Progress of English Typography.Reed, Talbot Baines
History
A History of the Old English Letter Foundries: with Notes, Historical and Bibliographical, on the Rise and Progress of English Typography.
Reed, Talbot Baines
Printing -- England -- History; Type and type-founding -- England -- History
Baskerville’s third specimen sheet, undated, but probably issued
in 1762, is an exquisitely printed large folio on highly glazed
white paper. It completes the series of Roman and Italic displayed
in the former sheet with a Nonpareil, and the whole is surrounded
by an elegant light border. It is incomparably the most beautiful
type-specimen of its day, although it must be admitted that not a
little of its beauty is due to the brilliancy of the ink and the gloss
of the paper.
Despite the applause bestowed on him, and the acknowledged excellence
of his work, Baskerville failed to make his new business a paying one.
His letter {278} to Horace Walpole in 1762 best details the history of
his struggles and disappointments:―
“To the Hon’ble Horace Walpole, Esq., Member of Parliament, in
Arlington Street, London, this:
EASY HILL, BIRMINGHAM, 2 Nov. 1762.
“SIR,—As the Patron and Encourager of Arts, and particularly
that of Printing,[563] I have taken the Liberty of sending you a
Specimen of Mine, begun ten Years ago at the age of forty-seven,
and prosecuted ever since with the utmost Care and Attention, on
the strongest Presumption, that if I could fairly excel in this
divine Art, it would make my Affairs easy or at least give me
Bread. But alas! in both I was mistaken. The Booksellers do not
chuse to encourage Me, though I have offered them as low terms as
I could possibly live by; nor dare I attempt an Old Copy till a
Law Suit relating to that affair is determined.
“The University of Cambridge have given me a Grant to print their
8vo and 12mo _Common-Prayer Books_, but under such Shackles as
greatly hurt me. I pay them for the former twenty and for the
latter twelve pounds ten shillings the thousand; and to the
Stationers’ Company thirty-two pound for their permission to print
one edition of the _Psalms in Metre_ to the small _Prayer Book_;
add to this the great expense of Double and treble carriage, and
the inconvenience of a printing house an hundred Miles off. All
this Summer I have had nothing to print at Home. My folio _Bible_
is pretty far advanced at Cambridge, which will cost me near £2000
all hired at 5 per cent. If this does not sell, I shall be obliged
to sacrifice a small patrimony which brings me in £74 a year to
this business of Printing, which I am heartily tired of and repent
I ever attempted. It is surely a particular hardship, that I
should not get Bread in my own country (and it is too late to go
abroad) after having acquired the Reputation of excelling in the
most useful Art known to mankind; while everyone who excels as a
Player, Fiddler, Dancer, &c., not only lives in Affluence, but has
it in their power to save a Fortune.
Public-domain text, read in full here on John Shaqi.
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