A History of the Old English Letter Foundries: with Notes, Historical and Bibliographical, on the Rise and Progress of English Typography.Reed, Talbot Baines
History
A History of the Old English Letter Foundries: with Notes, Historical and Bibliographical, on the Rise and Progress of English Typography.
Reed, Talbot Baines
Printing -- England -- History; Type and type-founding -- England -- History
“I have sent a few Specimens (same as the enclosed) to the Courts
of Russia and Denmark, and shall endeavour to do the same to
most of the Courts in Europe; in hopes of finding in some of
them a purchaser of the whole scheme, on the Condition of never
attempting another Type. I was saying this to a particular Friend,
who reproached me with not giving my own Country the Preference,
as it would (he was pleased to say) be a national Reproach to
lose it: I told him nothing but the greatest Necessity would put
me upon it; and even then I should resign it with the utmost
reluctance. He observed the Parliament had given a handsome
Premium for a great Medicine; and he doubted not, if My Affair
were properly brought before the House of Commons, but some Regard
would be Paid to it. I replied I durst not presume to Petition the
House, unless encouraged by some of the Members, who might do me
the honour to promote it; of which I saw not the least hopes or
probability. Thus, Sir, I have taken the Liberty of laying before
you my Affairs without the least Aggravation; and humbly hope your
patronage: To whom can I apply for {279} Protection, but the
Great who alone have it in their power to serve me? I rely on your
candour as a Lover of the Arts and to excuse this Presumption in
your most obedient and most humble servant
JOHN BASKERVILLE.
“P.S.—The folding of the Specimens will be taken out by laying
them for a short time between damped Papers. N.B.—The Ink,
Presses, Chases, Moulds for Casting, and all the apparatus for
Printing were made in my own shops.”[564]
The folio _Bible_[565] referred to in this letter has always been
regarded as Baskerville’s _magnum opus_, and is his most magnificent
as well as his most characteristic specimen. It duly appeared in
Cambridge in 1763, in a beautiful Great Primer type, fully meriting the
applause which it evoked. It had been preceded in 1760 by some very
elegant editions of the _Book of Common Prayer_,[566] all published at
Cambridge in his capacity of University printer.
After the publication of the _Bible_, Baskerville wearied of his
profession of printing, disheartened alike by the poor pecuniary
returns for his labours, and the unfriendly criticism pronounced
in various quarters upon his performances. Despite the splendid
appearance of his impressions, the ordinary English printers viewed
with something like suspicion the meretricious combination of sharp
type and hot-pressed paper which lent to his sheets their extraordinary
brilliancy.[567] They objected to the dazzling effect thus produced on
the eye; they found fault with the unevenness of tone and colour in
different parts of the same book, and even discovered an irregularity
and lack of symmetry in some of his types, which his glossy paper and
bright ink alike failed to disguise.
Public-domain text, read in full here on John Shaqi.
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