A History of the Old English Letter Foundries: with Notes, Historical and Bibliographical, on the Rise and Progress of English Typography.Reed, Talbot Baines
History
A History of the Old English Letter Foundries: with Notes, Historical and Bibliographical, on the Rise and Progress of English Typography.
Reed, Talbot Baines
Printing -- England -- History; Type and type-founding -- England -- History
In 1757 a question as to the price of work having arisen among Mr.
Caslon’s workmen, Cottrell and Jackson headed a deputation on the
subject to their employer, then a Commissioner of the Peace, residing
at Bethnal Green. The worthy justice taking this action in dudgeon, the
two ringleaders were dismissed from Chiswell Street, and thus thrown
unexpectedly on their own resources.
Cottrell, in partnership for a short time with Jackson, and (according
to Rowe Mores), assisted also by a Dutchman, one Baltus de Graff, a
former {289} apprentice of Voskens of Amsterdam, established his
foundry in Nevil’s Court, Fetter Lane. His first fount was an English
Roman, which, though it will compare neither with the performance of
his late master, nor with the then new faces of Baskerville, was yet a
production of considerable merit for a self-trained hand.
In 1758 an incidental record of Cottrell’s Foundry exists in the
history, elsewhere recorded, of Miss Elstob’s Saxon types, the punches
and matrices of which, after remaining untouched for several years at
Mr. Caslon’s, were brought to Cottrell by Mr. Bowyer, to be “fitted up”
ready for use. This task Cottrell performed punctually and apparently
to the satisfaction of his employer, returning them with a small fount
of the letter cast in his own mould, as a specimen of the improvement
made in them.[591]
In 1759 Jackson quitted the business to go to sea, and Cottrell, left
to himself, busily proceeded with the completion of his series of
Romans, which he carried as low as Brevier, a size “which,” says Rowe
Mores, “he thinks low enough to spoil the eyes.”[592]
He also cut a Two-line English Engrossing in imitation of the Law-Hand,
and several designs of flowers.
[Illustration: 73. Engrossing, cut by Cottrell, _circa_ 1768. (From the
original matrices.)]
The Engrossing, or as Mores styles it, the Base Secretary, was a
character designed to take the place of the lately abolished Court Hand
in legal documents, and appears to have been designed for Cottrell
by a law printer named Richardson. On the completion of the fount,
an impression of which we here give, Richardson issued a specimen of
it,[593] claiming the design, and representing its advantages as the
proper character for leases, agreements, {290} indentures, etc. The
matrices, however, remained with Cottrell, and the inclusion of the
fount in his general specimen shows that Richardson ceased to retain
any exclusive use of it. It was the only fount of the kind in England
when Mores wrote in 1778.
Cottrell’s first specimen was a broadside sheet, undated, but probably
issued about the year 1760. It shows the Roman founts, arranged in a
form very similar to that of Caslon’s broadside of 1749. The only copy
of this specimen known is that in the Sohmian Collection at Stockholm.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account