A History of the Old English Letter Foundries: with Notes, Historical and Bibliographical, on the Rise and Progress of English Typography.Reed, Talbot Baines
History
A History of the Old English Letter Foundries: with Notes, Historical and Bibliographical, on the Rise and Progress of English Typography.
Reed, Talbot Baines
Printing -- England -- History; Type and type-founding -- England -- History
It was followed, a few years later, by an 8vo Specimen Book, which,
from its obvious resemblance to Caslon’s Book of 1764, we may judge to
have seen the light about 1766.[594] This Specimen exhibits the Roman
and Italic Founts from Five-line to Brevier, the Engrossing above
mentioned, and five pages of Small Pica Flowers elaborately arranged.
The general appearance is neat, each page being surrounded by a border.
The Romans are cut after the Caslon models, and are fairly good,
although a close inspection would suggest that Cottrell’s “genuine
inclination” did not extend to the justifying of his matrices with the
same success as to the cutting of the punches.
The following note at the foot of the Long Primer on Bourgeois specimen
is, perhaps, the most interesting feature of this book:―
“This Foundery was begun in the Year 1757, and will (with God’s
leave) be carried on, improved and enlarged, by Thomas Cottrell,
Letter Founder, in London.
“_N. B._ Served my apprenticeship to William Caslon, Esq.”
Fournier, in the second part of his _Manuel Typographique_, 1766,
mentions Cottrell’s Foundry, but in such a manner as to lead one to
suppose he had never seen his specimen, or heard of it except by the
vaguest hearsay. He mentions him as “Cottrell à Oxfort,” at the head of
his list of English Founders.[595] {291}
A more satisfactory contemporary record is contained in Luckombe’s
_History and Art of Printing_, 1770, where pages 169 to 174 are
occupied by specimens of the Engrossing and Flowers already exhibited
in the specimen book, and a fount of English Domesday.
This latter fount, which appears to have been completed subsequent to
the issue of the specimen book, Cottrell cut under the inspection of
Dr. Morton for the forthcoming issue of Domesday Book, begun in 1773,
and “which”, Rowe Mores sarcastically observes, “if the undertakers go
on as they have begun, will by domes-day hardly be finished.”
The work was, however, finished and printed, but not in Cottrell’s
type, his performance having been eclipsed by that of his old colleague
and partner Jackson, who, after returning from sea in 1763, had worked
for a short time at the Nevil’s Court Foundry, and then left to start
business for himself, taking with him two of Cottrell’s workmen.
Cottrell was at this period a private in the Life Guards; a position
considered highly respectable in those days, and not at all
incompatible with business pursuits. His military ardour evidently
had its effect in the Foundry, for we find that Robinson and Hickson,
his two workmen who left with Jackson, were also enlisted in the same
service.
Public-domain text, read in full here on John Shaqi.
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