A History of the Old English Letter Foundries: with Notes, Historical and Bibliographical, on the Rise and Progress of English Typography.Reed, Talbot Baines
History
A History of the Old English Letter Foundries: with Notes, Historical and Bibliographical, on the Rise and Progress of English Typography.
Reed, Talbot Baines
Printing -- England -- History; Type and type-founding -- England -- History
Turning now from type-casting appliances to the early types themselves,
we are enabled, thanks to one or two recent discoveries, to form a
tolerably good idea as to their appearance and peculiarities. We have
already stated that, with regard to the traditional perforated wooden
types seen by certain old writers, the probability is that, if these
were the genuine relics they professed to be, they were model types
used for forming moulds upon, or for impressing into matrices of moist
clay or soft lead. We have also considered it possible, in regard to
types cast in the primitive sand or clay moulds of the rude school,
that to overcome the difficulties incident to irregular height to
paper, uneven bodies, and loose locking-up, the expedient may have been
attempted of perforating the types and passing a thread or wire through
each line, to hold the intractable letters in their place.
This, however, is mere conjecture, and whether such types existed or
not none of them have survived to our day. Their possessors, as they
slowly discovered the secret of the punch, matrix and mould, would
show little veneration, we imagine, for these clumsy relics of their
ignorance, and value them only as old lead, to be remelted and recast
by the newer and better method.
But though no relic of these primitive cast types remains, we are
happily not without means for forming a judgment respecting some of the
earliest types of the more finished school of printers. In 1878, in the
bed of the river Saône, near Lyons,[42] opposite the site of one of
the famous fifteenth century printing-houses of that city, a number of
old types were discovered which there seems reason to believe belonged
once to one of those presses, and were used by the early printers of
Lyons. They came into the hands of M. Claudin of Paris, {21} the
distinguished typographical antiquary, who, after careful examination
and inquiry, has satisfied himself as to their antiquity and value as
genuine relics of the infancy of the art of printing.
[Illustration: 4. _Profile tracings from M. Claudin’s Types. October
1883._]
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