A History of the Old English Letter Foundries: with Notes, Historical and Bibliographical, on the Rise and Progress of English Typography.Reed, Talbot Baines
History
A History of the Old English Letter Foundries: with Notes, Historical and Bibliographical, on the Rise and Progress of English Typography.
Reed, Talbot Baines
Printing -- England -- History; Type and type-founding -- England -- History
DR. FRY’S FOUNDRY.
_Arabic._―
Great Primer [J?]
Great Primer, No. 2.
English.
_Amharic._―
English.
_Ethiopic._―
English [P.][A.][J.]
English, No. 2.
Pica. [J.]
_German._―
Long Primer.
_Greek._―
Double Pica.
Great Primer.
English.
Pica.
Pica, No. 2.
Small Pica.
Long Primer.
Long Primer, No. 2.
Brevier.
Nonpareil.
_Greek Alexandrian._―
Pica. [G.][J.]
_Guzerattee._―
Great Primer.
Long Primer.
_Hebrew._―
2-line Great Primer.
2-line English.
Double Pica with points.
English with points.
Pica.
Small Pica.
Long Primer.
Bourgeois.
Brevier.
Nonpareil.
_Hebrew Rabbinical._―
Small Pica [A.][J.]
Brevier [A.][J.]
Nonpareil. [A.][J.]
_Irish._―
Pica.
Small Pica [M.][A.][J.]
Small Pica, No. 2.
_Malabaric._―
English.
Pica.
_Russian._―
Double Pica.
_Samaritan._―
Pica [P.][G.][J.]
Long Primer [J.]
_Saxon._―
Double Pica.
Great Primer.
English.
Pica.
Small Pica.
Long Primer.
Brevier. {310}
_Syriac._―
English.
Long Primer.
_Music._―
Large Plein Chant.
Small Plein Chant.
Psalm.
_Blacks._―
4-line.
2-line Great Primer.
2-line English.
Double Pica.
Great Primer.
English, No. 1. [A.][J.]
English, No. 2.
Pica, No. 1.
Pica, No. 2. [A.][J.]
Small Pica.
Long Primer. [A.][J.]
Brevier.[637]
In 1828, being now of an advanced age, and after 46 years’ incessant
labour, Dr. Fry decided to dispose of his foundry; and a circular was
issued announcing the fact to the public. This document, throwing as
it does considerable light on the history of the Type Street Foundry,
is interesting enough to quote at length. After enumerating generally
the contents of the foundry and stating the conditions of sale, Dr. Fry
remarks:
“The Substructure of this Establishment was laid about the year
1764; commencing with improved imitations of Baskerville’s founts,
of which every size was completed, from the largest down to the
Diamond: but they did not meet the encouraging approbation of the
Printers, whose offices generally, throughout the kingdom, were
stored from the London and Glasgow Founderies with Types of the
form introduced by the celebrated William Caslon, early in the
last century; chiefly from the admired Dutch models, which gained
so much credit to the Elzevirs of Amsterdam, Leyden, &c.
Public-domain text, read in full here on John Shaqi.
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