A History of the Old English Letter Foundries: with Notes, Historical and Bibliographical, on the Rise and Progress of English Typography.Reed, Talbot Baines
History
A History of the Old English Letter Foundries: with Notes, Historical and Bibliographical, on the Rise and Progress of English Typography.
Reed, Talbot Baines
Printing -- England -- History; Type and type-founding -- England -- History
“By the recommendation, therefore, of several of the most
respectable Printers of the Metropolis, Doctor Fry, the
proprietor, commenced his imitation of the Chiswell Street
Foundery, which he successfully finished throughout all it’s
various sizes, at a vast expense, and with very satisfactory
encouragement, during the completion of it. At which period a
rude, pernicious, and most unclassical innovating System was
commenced, which, in a short time was followed by the most
injurious and desolating ravages on the property of every
Letter Founder and Printer in the kingdom, by the introduction
of fancy letters of various anomalous forms, with names as
appropriate—disgraceful in a Profession, once held so _Sacred_,
as to have it’s operations confined to consecrated Buildings, and
those of the highest class.
“The Baskerville and Caslon imitations, all completed with
Accents, Fractions, &c., were, in consequence of this revolution,
laid by for ever; and many thousand pounds weight of new letter
in Founts, estimated on the average at selling prices, at 2_s._
6_d._ per pound, were taken from the shelves, and carried to the
melting-pot to be recast into Types, no doubt, in many instances,
more beautiful; but no instance has occurred to the attentive
observation of the Proprietor of this Foundery, where any Founts
of book letter on the present system, have been found equal in
service, or {311} really so agreeable to the reader, as the
true _Caslon_-shaped Elzevir Types; and this is the undisguised
sentiment of many judicious Printers.
“When that eminent Printer, the late William Bowyer, gave
instructions to Joseph Jackson to cut his beautiful Pica Greek, he
used to say “Those in common use were no more Greek than they were
English.” Were he now living, it is likely he would not have any
reason to alter that opinion.
“The Greeks of this Foundery were many of them made in Type
Street, copied from those of the celebrated Foulis of Glasgow; and
there are two, a Pica, and a Long Primer, on the Porsonian plan.
The Codex Alexandrinus was purchased at James’ Sale in 1782.[638]
“The Hebrews were also chiefly cut by Dr. Fry, subject to the
direction and approbation of the most learned Hebraists.
“The two Arabics,[639] Great Primer and English, were cut from
the original drawings of, and under the personal direction of Dr.
Wilkins, Oriental Librarian to the East India Company; and have no
rival either in beauty or correctness.
“The Syriac[640] has been made within the last two years, with all
it’s vowel points, reduced to an English body, from the Double
Pica of the eminent Assemann’s edition of Ludolph’s Testament.
Public-domain text, read in full here on John Shaqi.
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