A History of the Old English Letter Foundries: with Notes, Historical and Bibliographical, on the Rise and Progress of English Typography.Reed, Talbot Baines
History
A History of the Old English Letter Foundries: with Notes, Historical and Bibliographical, on the Rise and Progress of English Typography.
Reed, Talbot Baines
Printing -- England -- History; Type and type-founding -- England -- History
“The English, No. 1, and Pica Ethiopics—the Pica and Long Primer
Samaritans, were purchased at James’s sale. The other Orientals,
viz. two Malabarics—the Amharic—Ethiopic, No. 3, and Guzerattee,
were all cut at this Foundery. As was the fine collection of
Blacks, or pointed Gothics, except the English, No. 1,—Pica,
No. 2,—Long Primer, No. 1,—and Brevier, which were collected by
the late John James. There is good authority for believing that
this Pica Black, No. 2, was once the property of {312} William
Caxton[641]; Doctor Fry having recut for a reprint of a work
published by the celebrated man, all the contractions and accented
letters exhibited in the Specimen Book.
“The Occidentals, as termed by Moxon, Mores, and others, viz. the
Saxons, Hibernians,[642] German, and Russian, were also produced
at this Foundery. As were the two Plein Chants, and the Psalm
Music.
“The Great Primer Script, which, it must be acknowledged, is the
_Ne plus ultra_ of every effort of the Letter Founder in imitation
of writing, was made for the Proprietor by the celebrated Firmin
Didot, at Paris; the Matrices are of Steel, and the impressions
from the Punches sunk in _inlaid Silver !_[643]
“In taking leave of a Profession, which has for many years
engaged his whole attention, the Proprietor begs to convey,
through this channel, the high sense of obligation he hopes to
retain during his life, for the great encouragement with which
he has been favoured for so long a period; as well as for the
generous assistance and advice of many of his learned Friends, in
the _getting up_, and accurate completion of various undertakings.
It is also with much gratification, that he can look back and
recall to recollection, that he has carefully followed their
advices, in not admitting into {313} his Foundery any article
degrading or disgraceful, or unbecoming the dignity of that Art,
which deserves to be looked up to and revered as the ‘Head of the
republic of letters:’—claiming Permission to recommend to his
Successor and Contemporaries, the steady pursuit of that plan
which will secure the reputation of the _once Sacred_ Profession,
and restore to it the honourable Character it obtained several
Centuries ago, of
“ARS ARTIUM OMNIUM CONSERVATRIX.”
“_Polyglot Letter Foundery, 2nd month 14th, 1828._”
The foundry met with a purchaser in Mr. William Thorowgood, of Fann
Street, to whose premises the entire stock was removed in 1829, where
it now forms part of the Fann Street Foundry.
Dr. Fry retired to his residence at Stratford Green, and subsequently
removed to Dalby Terrace, City Road, where he died Dec. 22, 1835.[644]
Public-domain text, read in full here on John Shaqi.
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