In detailing the rise and progress of the various English Letter Foundries, it has been my endeavour to treat the subject, as far as possible, bibliographically—that is, to regard as type-specimens not merely the stated advertisements of the founder, but also the works for which his types were created and in which they were used. The _Catena on Job_, Walton’s _Polyglot_, Boyle’s _Irish Testament_, Bowyer’s _Selden_, thus rank as type specimens quite as interesting as, and far more valuable than, the ordinary letter founders’ catalogues. Proceeding on this principle, moreover, this History will be found to embody a pretty complete bibliography of works not only relating to, but illustrative of, English Letter Founding. At the same time, the particular bibliography of the subject has been kept distinct, by appending to each chapter a chronological list of the Specimen Books issued by the foundry to which it relates. The introductory chapter on the Types and Type Founding of the First Printers may be considered somewhat foreign to the scope of this History. The importance, however, of a practical acquaintance with the processes and appliances of the Art of Letter Founding as a foundation to any complete study of typographical history—as well as the numerous misconceptions existing on the part even of accepted authorities on the subject—suggested the attempt to examine the various accounts of the Invention of Printing from a letter founder’s point of view, in the hope, if not of arriving at any very definite conclusions, at least of clearing the question of a few prevalent fallacies. The two chapters on Type Bodies and Type Faces, although also {viii} to some extent foreign, are considered important by way of introduction to the history of English Letter Founding in which the “foreign and learned” characters have so conspicuously figured. If this book—the imperfections of which are apparent to no one as painfully as they are to the writer—should in any way encourage the study of our national Typography, with a view to profit by the history of the past in an endeavour to promote its excellence in the future, the labour here concluded will be amply repaid. * * * * * The agreeable task remains of thanking the numerous friends to whose aid and encouragement this book is indebted for much of whatever value it may possess. My foremost thanks are due to my honoured and valued friend, Mr. William Blades, to whom I am indebted for far more than unlimited access to his valuable typographical library, and the ungrudging use of his special knowledge on all subjects connected with English typography. These I have enjoyed, and what was of equal value his kindly advice and sympathy during the whole progress of a work which, but for his encouragement from the outset, might never have been completed.