A History of the Old English Letter Foundries: with Notes, Historical and Bibliographical, on the Rise and Progress of English Typography. — John Shaqi
A History of the Old English Letter Foundries: with Notes, Historical and Bibliographical, on the Rise and Progress of English Typography.Reed, Talbot Baines
History
A History of the Old English Letter Foundries: with Notes, Historical and Bibliographical, on the Rise and Progress of English Typography.
Reed, Talbot Baines
Printing -- England -- History; Type and type-founding -- England -- History
Such is a brief outline of the chief facts and opinions regarding the
processes, appliances and practices of the earliest typefounders. It
may be said that, after all, we know very little about the matter.
The facts are very few, and the conjectures, in many instances, so
contradictory, that it is impossible to erect a “system,” or draw any
but general conclusions. These conclusions we very briefly summarise as
follows.
Accepting as a fundamental principle that the essence of typography
is in the mobility of the types, we dismiss, as beyond the scope
of our inquiry, the xylographic works which preceded typography.
Passing in review the alleged stepping-stones between the two arts, we
fail to see in the evidence adduced as to the use of movable wooden
perforated types anything to justify the conclusion that the earliest
printers printed books by their means. Such types may have been cut
experimentally, but the practical impossibility of cutting them square
enough to be composed in a forme, and of producing a work of the size
and character of the _Speculum_, is fatal to their claims. With regard
to the sculpto-fusi types—types engraved on cast-metal bodies—the
evidence in their favour is of the most unsatisfactory character,
and, coupled with the practical difficulties of their production,
reduces their claims to a minimum. The marked difference of style and
excellence in the typography of certain of the earliest books leads us
to accept the theory that two schools of typography existed side by
side in the infancy of the art—one a rude school, which, not having
the secret of the more perfect appliances of the inventors, cast its
letters by some primitive method, probably using moulds of sand or
clay, in which the entire type had been moulded. Such types may have
been perforated and held together in lines by a wire. The suggestion
that the earliest types were produced by a system of polytype, and
that the face of each letter, sawn off a plate resembling a {30}
stereotype-plate, was separately mounted on loose wooden shanks, we
dismiss as purely fanciful.
Public-domain text, read in full here on John Shaqi.
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