A History of the Old English Letter Foundries: with Notes, Historical and Bibliographical, on the Rise and Progress of English Typography.Reed, Talbot Baines
History
A History of the Old English Letter Foundries: with Notes, Historical and Bibliographical, on the Rise and Progress of English Typography.
Reed, Talbot Baines
Printing -- England -- History; Type and type-founding -- England -- History
PICA.—This important body, now the standard body in English typography,
presumably owes its name to its use in printing the ordinal of the
services of the early Church, and is coeval with Great Primer. “The
Pie,” says Mores, of which this is the Latin name, “was a table showing
the course of the service in the Church in the times of darkness.[69]
It was called the Pie because it was written in letters of black and
red; as the Friars de _Pica_ were so named from their party-coloured
raiment, black and white, the plumage of a magpie.” “The number and
hardness of the rules of this Pie” is referred to in the preface
to our Prayer-book; and it will be remembered that Caxton’s famous
advertisement related to “Pyes of Salisbury use.” But as a larger
type-body than Pica was generally used to print these, it is possible
the name may refer to nothing more than the piebald or black-and-white
appearance of a printed page. Some authorities derive Pica from the
Greek πίναξ, a writing tablet, and, hence, an index. The name was, in
fact, applied to the alphabetical catalogue of the names and things in
rolls and records. In France and Germany the body was called Cicero, on
account of the frequent editions of Cicero’s Epistles printed in this
size of letter.[70] It was the Mediaan body of the Dutch.
SMALL PICA, as already stated, was an innovation in Moxon’s day, and
was probably cast in the first instance to accommodate a foreign-cut
letter, too small for pica and too large for long-primer. It
subsequently came into very general use, one of the first important
works in which it appeared being Chambers’s _Cyclopædia_, in 1728. The
French called it Philosophie, and appear to have used it as a smaller
body on which to cast the Cicero face. The Germans called it Brevier,
the Dutch (it being one body below the Mediaan) called it Descendiaan,
and the Italians, when they had it, followed the French, and called it
Filosofia.
LONG PRIMER, Mores suggests, was another of the old English bodies
employed in liturgical works. He explains the use of the word Long to
mean that Primers in this size of type were printed either in long
lines instead of double columns, or that the length of the page was
disproportionate to the width, or more probably, that they contained
the service at full length a long, or without contraction.[71] These
_Primers_, however, are rarely to be met with in this body. The French
named the body Petit Romain, preserving a similar {39} relationship
between it and their Gros Romain, as we did between our Long Primer
and Great Primer. The other countries evidently attributed the body
to France, and named it after Claude Garamond, the famous French
letter-cutter, pupil of Tory, one of whose Greek founts, cut for the
Royal Typography of Paris, was on this body. The Germans, however, also
called the body Corpus, on account of their _Corpus Juris_ being first
printed in this size.
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