43.—Specimen of Nicholas Nicholls, 1665. From the original _face_ 178 44.—Portrait of Joseph Moxon. From the _Tutor to Astronomy and Geography_, 4th ed., 1686, _face_ 180 45.—Moxon’s Irish type, 1680. From the original matrices 189 46.—Dutch Initial Letters. From the original matrices 80 47.—Nonpareil Rabbinical Hebrew in Andrews’ Foundry. From the original matrices 194 48.—Saxon, cut by R. Andrews for Miss Elstob’s _Grammar_, 1715. From the original matrices 196 49.—Old Dutch Blacks in R. Andrews’ Foundry. From the original matrices 194 50.—Alexandrian Greek in Grover’s Foundry. From the Catalogue of James’ Sale, 1782 200 51.—Scriptorial in Grover’s Foundry. From the original matrices 204 52.—Court Hand in Grover’s Foundry. From the original matrices 204 53.—Union Pearl in Grover’s Foundry. From the original matrices 204 54.—Walpergen’s Music type. Oxford, _circ._ 1675. From the original matrices 208 55.—Pictorial pierced Initial. From an 18th century newspaper 81 56.—Title-page of the Catalogue and Specimen of James’ Foundry, 1782. From the original 226 57.—Portrait of William Caslon. From Hansard _face_ 232 58.—View of the Interior of Caslon’s Foundry in 1750. From the _Universal Magazine_ _Frontispiece_ 59.—Pica Roman and Italic, cut by Caslon, 1720. From the original matrices 236 60.—Black letter, cut by Caslon. From the original matrices 239 61.—Arabic, cut by Caslon, 1720. From the original matrices 235 62.—Coptic, cut by Caslon, _ante_ 1731. From the original matrices 236 63.—Armenian, cut by Caslon, _ante_ 1736. From the original matrices 239 64.—Etruscan, cut by Caslon, 1738. From the original matrices 240 65.—Gothic, cut by Caslon, _ante_ 1734. From the original matrices 239 66.—Ethiopic, cut by Caslon. From the original matrices 240 67.—Syriac, cut by Caslon II, _circ._ 1768. From the original matrices 246