A History of the Old English Letter Foundries: with Notes, Historical and Bibliographical, on the Rise and Progress of English Typography.Reed, Talbot Baines
History
A History of the Old English Letter Foundries: with Notes, Historical and Bibliographical, on the Rise and Progress of English Typography.
Reed, Talbot Baines
Printing -- England -- History; Type and type-founding -- England -- History
De Worde introduced a larger variety in body than Caxton, and in some
of {91} his works, as in the _Whitintoni Lucubrationes_, in 1527, used
a very small Black-letter, apparently, as Herbert remarks, because
he had no Roman or Italic small enough. In his Black founts he used
a large number of abbreviations, though not so many as were at that
time used by printers abroad. He has been erroneously credited by some
writers with having been the first to introduce the Roman letter into
this country. It appears, however, that he closely followed Pynson in
this innovation[157]; and, in his later works, made considerable use of
that character, both for printing entire books, and for distinguishing
remarkable words or quotations in his Black-letter text.
Although characterised as a better printer than scholar, he was the
first to introduce letters of some of the learned languages into his
books. In 1519, in _Whitintonus de concinitate grammatices_, he used
some Greek words, the first in England, cut in wood. Later, in 1524, in
_Wakefield’s Oratio_,[158] printed in Roman characters with marginal
notes in Italic,[159] he printed some Greek words in movable types, and
showed Arabic and Hebrew cut in wood, the first used in this country.
The Hebrew is Rabbinical, and the author complains that he has been
obliged to omit a third part, because the printer lacked Hebrew types.
As early as 1495, moreover, De Worde, as we have elsewhere noted, in
his edition of the _Polychronicon_, used the first music-types known in
typography.
He died in 1534, after printing upwards of 400 books.
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