A History of the Old English Letter Foundries: with Notes, Historical and Bibliographical, on the Rise and Progress of English Typography.Reed, Talbot Baines
History
A History of the Old English Letter Foundries: with Notes, Historical and Bibliographical, on the Rise and Progress of English Typography.
Reed, Talbot Baines
Printing -- England -- History; Type and type-founding -- England -- History
His contemporary, PYNSON, who also acknowledged Caxton as his
“Worshipful Master,” appears to have been in regular correspondence
with the typographers of Rouen, one of whom printed in his name.[160]
It is also supposed that he was on friendly terms with Froben of
Basle, whose woodcut designs occasionally figure in his works. It is,
therefore, probable he may have imported some of his founts, including
the Roman, which he had the honour of first introducing into England
in 1518, from abroad. His first types, which appeared in the _Dives
and Pauper_, printed by him in 1493, were extremely rude; but in this
particular he seems to have made rapid progress, and some of his
later {92} works are distinguished as fine specimens of typography.
Mores’ account of Pynson’s types is incomplete, and in one particular
at least, that of the Roman letter in 1499, incorrect. He says: “His
types in the year 1496 were Double Pica, Great Primer and Long Primer
English (_i.e._, Black-letter), all clear and good; a rude English
English, an English and a Long Primer Roman in 1499 (_sic_), an English
and a Pica Roman with which was printed Bishop Tonstal’s book, _De
Arte Supputandi_, in 1522. They are thick, but they stand well in line
. . . He had another and better fount of Great Primer English, with
which was printed the _Gallicantus_ of Bishop Alcock . . . in 1498.”
The pretty Secretary letter, which Mores mentions as having been used
in _Statham’s_ and _Fitzherbert’s Abridgments_ belonged to Le Tailleur,
the Rouen printer, whom Pynson employed to print several law books,
on account, it is supposed, of the greater correctness of the Norman
compositors in setting the law language of the day. “However,” says
Ames, “he had such helps afterwards that all statutes, etc., were
printed here at home.”
In 1518 he printed his first work in Roman type, the _Oratio in Pace
nuperrimâ_,[161] by Richard Pace. Only one fount is used throughout
this interesting little work, of which we here reproduce the colophon.
[Illustration: 18. From the _Oratio in Pace nuperrimâ_. Printed by
Pynson, 1518.]
A document still preserved in the Record Office, dated June 28, 1519,
contains an interesting mention of Pynson’s types. It is an indenture
between Wm. Horman, Clerk and Fellow of the King’s College at Eton,
and Pynson, for printing 800 copies of such _Vulgars_ as be contained
in the copy delivered to him, “in suffycient and suyng stuff of papyr,
after thre dyverse letters, on for the englysh, an other for the laten,
and a thyrde of great romayne letter for the tytyllys of the booke.”
{93}
Public-domain text, read in full here on John Shaqi.
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