Elizabeth Bennett, who spun wool for a cloth-maker, was one of those most vehemently accused, but she denied knowledge of any kind of witchcraft. It had been charged against her that she kept some wool hidden in a pot under some stones in her house. She denied at first the possession of this potent and malignant charm; but, influenced by the gentle urgings of Justice Darcy,[15] she gave way, as Ursley Kemp had done, and, breaking all restraint, poured forth wild stories of devilish crimes committed through the assistance of her imps. But why should we trace out the confessions, charges, and counter-charges that followed? The stories that were poured forth continued to involve a widening group until sixteen persons were under accusation of the most awful crimes, committed by demoniacal agency. As at Chelmsford, they were the dregs of the lower classes, women with illegitimate children, some of them dependent upon public support. It will be seen that in some respects the panic bore a likeness to those that had preceded. The spirits, which took extraordinary and bizarre forms, were the offspring of the same perverted imaginations, but they had assumed new shapes. Ursley Kemp kept a white lamb, a little gray cat, a black cat, and a black toad. There were spirits of every sort, "two little thyngs like horses, one white, the other black'"; six "spirits like cowes ... as big as rattles"; spirits masquerading as blackbirds. One spirit strangely enough remained invisible. It will be observed by the reader that the spirits almost fitted into a color scheme. Very vivid colors were those preferred in their spirits by these St. Oses women. The reader can see, too, that the confessions showed the influence of the great cat tradition.