A History of Wood-EngravingWoodberry, George Edward
History
A History of Wood-Engraving
Woodberry, George Edward
Wood-engraving; Wood-engraving -- Bibliography
The German free cities were then animated with the new spirit which was
to mould the great age of Germany, and result in Dürer and Luther. The
growing weakness of the Empire had fostered independence and
self-reliance in the citizens, while the increase of commerce, both on
the north to the German Ocean, and on the south through Venice, had
introduced the wants of a higher civilization, and afforded the means to
satisfy them. Local pride, which showed itself in the rivalries and
public works of the cities, made their enterprise and industry more
active, and gave an added impulse to the rapid transformation of
military and feudal into commercial and democratic life. In these
cities, where the body of men interested in knowledge and with the means
of acquiring it, became every year more numerous, the new presses sent
forth books of all kinds--the religious and ascetic writings of the
clergy, mediæval histories, chronicles and romances, travels, voyages,
botanical, military, and scientific works, and sometimes the writings of
classic authors; although, in distinction from Italy, Germany was at
first devoted to the reproduction of mediæval rather than Greek and
Latin literature. The books in Latin, the learned tongue, were usually
without woodcuts; but those in the vulgar tongues, then becoming true
languages, the development and fixing of which are one of the great
debts of the modern world to printing, were copiously illustrated, in
order to make them attractive to the popular taste.
[Illustration: FIG. 8.--The Grief of Hannah. From the Cologne Bible,
1470-’75]
[Illustration: FIG. 9.--Illustration of Exodus I. From the Cologne
Bible, 1470-’75.]
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