A Holiday in Bed, and Other SketchesBarrie, J. M. (James Matthew)
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A Holiday in Bed, and Other Sketches
Barrie, J. M. (James Matthew)
Essays; Great Britain -- Social life and customs -- 19th century -- Fiction
After that the romance of Gretna
Green was as a tale that was told. The latter half of the last century,
and the first twenty years of this, were thus the palmy days of
Springfield, for after Gretna Hall hung out its signboard, the Langs
were oftener seen at the "big house" than in the double-windowed parlor
of the Queen's Head.
The present landlord of this hostelry, a lightsome host, troubled with
corns, who passes much of his time with a knife in one hand and his big
toe in the other, is nephew of that Beattie who saw his way to bed by
the gleam of post-boy's lamps, and spent his days unsnibbing the Queen's
Head door to let runaways in, and barring it to keep their pursuers out.
Much depends on habit, and Beattie slept most soundly to the drone of
the priest in his parlor, and the rub-a-dub of baffled parents on his
window-sills. His nephew, also a Beattie, brings his knife with him into
the immortal room, where peers of the realm have mated with country
wenches, and fine ladies have promised to obey their father's
stable-boys, and two lord chancellors of England with a hundred others
have blossomed into husbands, and one wedding was celebrated of which
neither Beattie nor the world takes any account. There are half a dozen
tongues in the inn--itself a corpse now that wearily awaits
interment--to show you where Lord Erskine gambolled in a tablecloth,
while David Lang united him in the bonds of matrimony with his
housekeeper, Sarah Buck. There is the table at which he composed some
Latin doggerel in honor of the event, and the doubtful signature on a
cracked pane of glass. A strange group they must have made--the gaping
landlord at the door, Mrs. Buck, the superstitious, with all her
children in her arms, David Lang rebuking the lord chancellor for posing
in the lady's bonnet, Erskine in his tablecloth skipping around the
low-roofed room in answer, and Christina Johnstone, the female witness,
thinking sadly that his lordship might have known better. Here, too,
Lord Eldon galloped one day with his "beloved Bessy;" and it is not
uninteresting to note that though he came into the world eighteen months
after Lord Erskine, he paid Gretna Green a business visit nearly fifty
years before him. Lang's books are a veritable magic-lantern, and the
Queen's Head the sheet on which he casts his figures. The slides change.
Joseph Paisley sees his shrewd assistant, David Lang, marry his
granddaughter, and dies characteristically across the way. David has his
day, and Simon, his son, succeeds him; and in the meantime many a
memorable figure glides shadow-like across the screen. The youth with
his heart in his mouth is Lord George Lambton. It is an Earl of
Westmoreland that plants his shoulders against the door, and tells the
priest to hurry. The foot that drums on the floor is Lady Alicia
Parson's. A son of Lord Chief Justice Ellenborough makes way for his own
son; a daughter follows in the very footsteps of her father, only a few
hours between them.
Public-domain text, read in full here on John Shaqi.
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