A Holiday in Bed, and Other SketchesBarrie, J. M. (James Matthew)
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A Holiday in Bed, and Other Sketches
Barrie, J. M. (James Matthew)
Essays; Great Britain -- Social life and customs -- 19th century -- Fiction
A few years ago, if any one in Fleet street had said that the day would
come when I would devote my time to trying to lose my reputation, I
would have smiled incredulously. That was before I had a reputation. To
be as statistical as time will allow--for before I go to bed I have
seven and a half yards of fiction to write--it took me fifteen years'
hard work to acquire a reputation. For two years after that I worked as
diligently to retain it, not being quite certain whether it was really
there, and for the last five years I have done my best to get rid of it.
Mr. R. L. Stevenson has a story of a dynamiter who tried in vain to
leave an infernal machine anywhere. It was always returned to him as
soon as he dropped it, or just as he was making off. My reputation is as
difficult to lose. I have not given up the attempt yet, but I am already
of opinion that it is even harder to lose a reputation in letters than
to make one. My colleagues will bear me out in this.
If I recollect aright--for I have published so much that my works are
now rather mixed up in my mind, and I have no time to verify
anything--the first place I thought to leave my reputation in was a
volume of pot-boilers, which I wrote many years ago for an obscure
publication. At that time I was working hard for a reputation elsewhere,
and these short stories were only scribbled off for a livelihood. My
publisher heard of them recently, and offered me a hundred pounds for
liberty to republish them in book form. I pointed out to him that they
were very poor stuff, but he said that that had nothing to do with it; I
had a reputation now, and they would sell. With certain misgivings--for
I was not hardened yet--I accepted my publisher's terms, and the book
was soon out. The first book I published, which was much the best thing
I ever wrote, was only reviewed by three journals, of which two were
provincial weeklies. They said it showed signs of haste, though every
sentence in it was a labor. I sent copies of it to six or seven
distinguished literary men--some of whom are four-in-hand now--and two
of them acknowledged receipt of it, though neither said he had read it.
My pot-boilers, however, had not been out many weeks before the first
edition was exhausted. The book was reviewed everywhere, and, in nine
cases out of ten, enthusiastically lauded. It showed a distinct advance
on all my previous efforts. They were model stories of their kind. They
showed a mature hand. The wit was sparkling. There were pages in the
book that no one could read without emotion. In the old days I was paid
for these stories at the rate of five shillings the thousand words; but
they would make a reputation in themselves now. It has been thus all
along. I drop my reputation into every book I write now, but there is no
getting rid of it. The critics and the public return it to me,
remarking that it grows bigger.
Public-domain text, read in full here on John Shaqi.
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