She ushered the visitor into the library, where it was cooler than on
the doorstep, and turned toward the campus. It is to be noted that
Sylvia moves with the buoyant ease of youth. She crosses the Lane and is
on her own ground now as she follows the familiar walks that link the
college buildings together. The students who pass her grin cheerfully
and tug at their caps; several, from a distance, wave a hand at her. One
young gentleman, leaning from the upper window of the chemical
laboratory, calls, "Hello, Sylvia," and jerks his head out of sight.
Sylvia's chin lifts a trifle, disdainful of the impudence of sophomores.
She has recognized the culprit's voice, and will deal with him later in
her own fashion.
Sylvia is olive-skinned and dark of eye. And they are interesting
eyes--those of Sylvia, luminous and eager--and not fully taken in at a
glance. They call us back for further parley by reason of their grave
and steady gaze. There is something appealing in her that takes hold of
the heart, and we remember her after she has passed us by. We shall not
pretend that her features are perfect, but their trifling irregularities
contribute to an impression of individuality and character. Her mouth,
for example, is a bit large, but it speaks for good humor. Even at
fifteen, her lips suggest firmness and decision. Her forehead is high
and broad, and her head is well set on straight shoulders. Her dark hair
is combed back smoothly and braided and the braid is doubled and tied
with a red ribbon. The same color flashes in a flowing bow at her
throat. These notes will serve to identify Sylvia as she crosses the
campus of this honorable seat of learning on a June afternoon.
Public-domain text, read in full here on John Shaqi.
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