Himself is for ever the last and maddest victim of a despot’s
oppression.
There had been stories to tell, could the coulter of Time once have cut
into those far-down vaults, and his share laid open. Now this was so
far from promising, that their history and mystery were in process of
being still further overlaid and stifled under accumulations of
superstructure. Francesco, the great Condottiere, the present Duke’s
father, had been the first to realise dimly how a tyrant, by converting
his self-prison into a shrine for his æstheticism, might enjoy a certain
amelioration of his condition. It was he who, yielding an older palace
and its grounds to the builders of the cathedral, had transferred the
ducal quarters to the great fortress, which henceforth was to be the
main seat of the Sforzas. Here the first additions and rebuildings had
been his, the first decorations and beautifyings—tentative at the best,
for he was always more a soldier than a connoisseur. The real movement
was inaugurated by his successor, and continued, as cultivation was
impressed on him, on a scale of magnificence which was presently to make
the splendour of Milan a proverb. Galeazzo, an indifferent warrior, to
whose rule but a tithe of the territory once gathered to the Visconti
owned allegiance, contented his ambitions by rallying an army of
painters and sculptors and decorators to the glorification of his houses
at Milan, Cremona, and his ancestral petted Pavia,—after all a worthier
rôle than the conqueror’s for a good man; but then, this man was so bad
that he blighted everything he touched. It is true that the disuse of
secret torture would have been considered, and by men more enlightened
than he, so little expedient a part of any ethical or æsthetical
’improvement’ of an existing house, as that a premium would be put
thereby on assassination. Yet Galeazzo’s death-pits were never so much a
politic necessity as a resource for cruelty in idleness. He would
descend into them with as much relish as he would reclimb from, to his
halls above, swelling and bourgeoning with growth of loveliness. The
scream of torture was as grateful to his ears as was the love-throb of a
viol; the scum bubbling from his living graves as poignant to his
nostrils as was the scent of floating lilies. He continued to make his
house beautiful, yet never once dreamt, as a first principle of its
reclamation to sweetness, of cutting out of its foundations those old
cesspools of disease and death.
Public-domain text, read in full here on John Shaqi.
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