A Jewish Chaplain in FranceLevinger, Lee J. (Lee Joseph)
Religion
A Jewish Chaplain in France
Levinger, Lee J. (Lee Joseph)
World War, 1914-1918 -- Jews
Our pleasurable anticipations of a view of Liverpool and perhaps a
glimpse of London were rudely disappointed. We disembarked about noon,
marched through side streets, which looked like side streets in any of
the dirtiest of American cities, lined up at a freight station, and were
loaded at once on waiting trains and started off for Southampton. All
that afternoon we absorbed eagerly the dainty beauty of the English
countryside which most of us knew only through literary references. We
were sorry when the late twilight shut off the view and we had to take
our first lesson at sleeping while sitting up in a train, a custom which
afterward became a habit to all officers in France.
Daybreak found us at Southampton in the rest camp; evening on the _Maid
of Orleans_, bound across the channel. We had not seen England, we had
no place to sleep and not too much to eat, even sitting room on the
decks was at a premium, but we were hastening on our way to the war. At
Le Havre we were again assigned to a British rest camp, where we
appreciated the contrast between the excellent meals of the officers'
canteen and the primitive bunks in double tiers where we had to sleep.
After two days of this sort of rest and a hasty visit to the city in
between, I received orders to report to the G. H. Q. Chaplains' Office
at Chaumont.
My first train journey across France impressed me at once with the
unique character of the landscape. The English landscape is
distinguished by meadows, the French by trees. The most realistic
picture of the English landscape is the fantastic description of a
checker-board in "Alice in Wonderland." In France, however, one is
struck chiefly by the profusion and arrangement of trees. They are
everywhere, alone or in clumps, and of all kinds, with often a formal
row of poplars or a little wood of beeches to make the sky-line more
impressive. In northern France the houses and barns are all of stone,
peaked and windowless, with gardens that seem bent on contrasting as
strongly as possible with the grayness of the walls. It seems as though
tiny villages are every few feet, and always with a church steeple in
the middle.
Public-domain text, read in full here on John Shaqi.
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