It took ages to get in. The dining-hall is narrower than the
sleeping-hall, but it extends beyond it on one side where there is a
large door opening on the garden. But this door is closed to the public.
You can only reach the dining-hall by going through the straw among the
sleepers. And at this point the Commandant's optimism has broken down.
He won't let you go in through the straw, and the clerk who controls the
entry won't let you go in through the other door. You explain to the
clerk that the English Ambulance being quartered in a Military Hospital,
its rules are inviolable; it is not allowed to expose itself to the
horrors of the straw. The clerk is not interested in the English
Ambulance, he is not impressed by the fact that it has volunteered its
priceless services to the Refugee Committee, and he is contemptuous of
the orders of its Commandant. His business is to see that you go into
the Palais through _his_ door and not through any other door. And when
you tell him that if he will not withdraw his regulations the Ambulance
will be compelled to withdraw its services, he replies with delicious
sarcasm, "_Nous n'avons pas prevu ca_." In the end you are referred to
the Secretary in his bureau. He grasps the situation and is urbanity
itself. Provided with a special permit bearing his sacred signature, you
are admitted by the other door.
Your passage to the _Vestiaire_ takes you through the infants' room and
along the galleries past the wards. The crowd of refugees is so great
that beds have been put up in the galleries. You take off your outer
garments and put on the Belgian Red Cross uniform (you have realized by
this time that your charming white overall and veil are sanitary
precautions).
Coming down the wide wooden stairways you have a full view of the Inner
Hall. This enormous oblong space below the galleries is the heart, the
fervid central _foyer_ of the Palais des Fetes. At either end of it is
an immense auditorium, tier above tier of seats, rising towards the
gallery floors. All down each side of it, standards with triumphal
devices are tilted from the balustrade. Banners hang from the rafters.
And under them, down the whole length of the hall from auditorium to
auditorium, the tables are set out. Bare wooden tables, one after
another, more tables than you can count.
From the door of the sleeping-hall to each auditorium, and from each
auditorium down the line of the tables a gangway is roped off for the
passage of the refugees.
They say there are ten thousand five hundred here to-night. Beyond the
rope-line, along the inner hall, more straw has been laid down to bed
the overflow from the outer hall. They come on in relays to be fed. They
are marshalled first into the seats of each auditorium, where they sit
like the spectators of some monstrous festival and wait for their turn
at the tables.
Public-domain text, read in full here on John Shaqi.
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