A Journal of the First Voyage of Vasco da Gama 1497-1499
History
A Journal of the First Voyage of Vasco da Gama 1497-1499
Africa -- Description and travel; Gama, Vasco da, 1469-1524; India -- Description and travel; Voyages and travels
The _Roteiro_ was printed for the first time in 1838. The editors,
Diogo Kopke and Dr. Antonio da Costa Paiva, both teachers at the
_Academia Polytechnica_ of Oporto, furnished it with an introduction,
in which they give an account of the manuscript and discuss its
authorship, add sixty-nine notes, explanatory of the text, and append
King Manuel’s letters patent of January 10th, 1502 (see p. 230). The
illustrations include a map, the facsimile of a page of the MS., a
portrait, and an illustrated title-page of poor design. The book was
published by subscription. Three hundred and ninety-two copies were
subscribed for, including two hundred and thirty-seven by residents in
Oporto, among whom British wine-merchants figure prominently. Only five
copies went abroad, and three of these were subscribed for by Captain
Washington, R.N., the Royal Geographical Society, and the Geographical
Society of Paris.
A second edition appeared at Lisbon in 1861. Its editors, A.
Herculano, the famous historian, and Baron do Castello de Paiva,
claim to have “got rid of those imperfections in the text, as also in
the notes of the first edition,[21] which must be attributed to the
inexperience of the editors, and to their eagerness to bring before
the public so precious an historical document”. Their emendations,
however, are not of a kind to justify this somewhat brutal reference to
the work done by their predecessors. They consist, in the main, of a
modernisation of the spelling, the introduction of a few “philological”
notes of no particular interest, and a short preface in which Correa’s
_Lendas da India_ are spoken of in terms of eulogy. These _Lendas_
the editors consider to be “far superior in substance (_quanto á
substancia_) to the _Decades_ of João de Barros, and to the exuberant
but evidently honest narrative of Castanheda.” After praising Correa
“for depicting in firm contours and vivid colours” the human passions
brought into play by close companionship within the narrow limits of a
ship, they admit that as to “facts” “he is often vague, forgetful, or
ambiguous”. They conclude by saying that the author of the _Roteiro_
and the chronicle-writers mutually complement each other, and jointly
acquaint us with all the details of one of the great events in the
history of modern nations.[22]
_The French Translations of the “Roteiro”._
Public-domain text, read in full here on John Shaqi.
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