A Journal of the First Voyage of Vasco da Gama 1497-1499
History
A Journal of the First Voyage of Vasco da Gama 1497-1499
Africa -- Description and travel; Gama, Vasco da, 1469-1524; India -- Description and travel; Voyages and travels
[152] _Bale_ in the Arabic Wali, governor. _Alcaide_, in Portuguese,
has this same meaning. Barros and Castanheda give this official the
title of “Catual” (Kot-wal, governor of a fort, in Hindustani). He was
the civil intendant of the Rajah and head of the police. Correa calls
him _gosil_, or _guozil_ (pron. Wozil), a corruption, probably, of the
Arabic _wazir_, minister.
[153] Among the thirteen men were Diogo Dias, João de Sá, Gonçalo
Pirez, Alvaro Velho, Alvaro de Braga, João de Setubal, João de Palha,
and six others, whose names are not recorded. Paulo da Gama and
Coelho were left in charge of the vessels, with orders to sail at
once for Portugal should any disaster happen to their chief. Coelho
was, moreover, ordered to await his chief’s return in the boats. See
Appendix E.
[154] This river is the Elatur. See Map IV.
[155] Burton (_Goa_, p. 191) says that even now the usual ferry-boat
consists of a platform of planks lashed to two canoes and usually
railed round.
[156] This “church” was, of course, a pagoda or temple. The high pillar
in front of it is used for suspending the flag which indicates the
commencement of the Temple festival. It is of wood, but usually covered
with copper or silver. The cock, which surmounts it, is the symbol of
the War-god Subraumainar. The smaller pillar supports the coco-oil
lamps during the festival.—Rev. J. J. Jaus.
[157] Corucheo, which literally means spire or minaret; but further on
the author calls this sanctuary a chapel, capella. Goes (c. 40) calls
it a “round” chapel.
[158] Goes (c. 40) says that the four priests alone entered this
sanctuary, and, pointing to the image, said “Maria, Maria”, upon which
the natives prostrated themselves, whilst the Portuguese knelt, in
adoration of the Virgin. Burton suggests that this was an image of
Gauri, the “White Goddess”, whilst Charton (III, p. 246) suggests Maha
Maja and her son Shakya. Our illustration is taken from E. Moor, _The
Hindu Pantheon_, new edition by Rev. W. O. Simpson (Madras, 1864) Plate
xxxv. It represents Krishna and his mother Devaki. When Kansa (Devaki’s
brother) heard of his birth, he ordered all newly-born infants to be
slain. The trays with animals and fruit are supposed to symbolise
Krishna’s power over the animal and vegetable kingdoms. On the low
table are placed food, poison, and amrita, symbolising life, death, and
immortality, as also a small triangular die denoting trinity in unity.
The Rev. J. Jacob Jaus, of the Basel Mission at Calicut, informs me
that there is a local deity called Māri, or Māriamma, much dreaded as
the goddess of small-pox, and highly venerated. Amma, in Malayalam,
means mother.
[159] These bells are struck by the Brahmans when they enter the
temple, but must not be touched by people of inferior castes.
Public-domain text, read in full here on John Shaqi.
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