Brazil -- Description and travel; Geology -- Amazon River Valley
_April 24th._—To-day we ladies went on shore for a few hours, engaged
our rooms, and drove about the city a little. The want of cleanliness
and thrift in the general aspect of Rio de Janeiro is very striking as
compared with the order, neatness, and regularity of our large towns.
The narrow streets, with the inevitable gutter running down the
middle,—a sink for all kinds of impurities,—the absence of a proper
sewerage, the general aspect of decay (partly due, no doubt, to the
dampness of the climate), the indolent expression of the people
generally, make a singular impression on one who comes from the midst of
our stirring, energetic population. And yet it has a picturesqueness
that, to the traveller at least, compensates for its defects. All who
have seen one of these old Portuguese or Spanish tropical towns, with
their odd narrow streets and many-colored houses with balconied windows
and stuccoed or painted walls, only the more variegated from the fact
that here and there the stucco has peeled off, know the fascination and
the charm which make themselves felt, spite of the dirt and discomfort.
Then the groups in the street,—the half-naked black carriers, many of
them straight and firm as bronze statues under the heavy loads which
rest so securely on their heads, the padres in their long coats and
square hats, the mules laden with baskets of fruit or vegetables,—all
this makes a motley scene, entertaining enough to the new-comer. I have
never seen such effective-looking negroes, from an artistic point of
view, as here. To-day a black woman passed us in the street, dressed in
white, with bare neck and arms, the sleeves caught up with some kind of
armlet, a large white turban of soft muslin on her head, and a long
bright-colored shawl passed crosswise under one arm and thrown over the
other shoulder, hanging almost to the feet behind. She no doubt was of
the colored gentry. Just beyond her sat a black woman on the curbstone,
almost without clothing, her glossy skin shining in the sun, and her
naked child asleep across her knees. Or take this as another picture: an
old wall several feet wide, covered with vines, overhung with thick
foliage, the top of which seems to be a stand for the venders of fruits,
vegetables, &c. Here lies at full length a powerful negro looking over
into the street, his jetty arms crossed on a huge basket of crimson
flowers, oranges and bananas, against which he half rests, seemingly too
indolent to lift a finger even to attract a purchaser.
Public-domain text, read in full here on John Shaqi.
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