A Journey Made in the Summer of 1794, through Holland and the Western Frontier of Germany, with a Return Down the Rhine, Vol. 1 (of 2): To Which Are Added Observations during a Tour to the Lakes of Lancashire, Westmoreland, and CumberlandRadcliffe, Ann Ward
History
A Journey Made in the Summer of 1794, through Holland and the Western Frontier of Germany, with a Return Down the Rhine, Vol. 1 (of 2): To Which Are Added Observations during a Tour to the Lakes of Lancashire, Westmoreland, and Cumberland
Radcliffe, Ann Ward
Europe -- Description and travel -- Early works to 1800; Lake District (England) -- Description and travel -- Early works to 1800; Radcliffe, Ann Ward, 1764-1823 -- Travel -- Europe
This tomb is thought to be not exceeded by any piece of sepulchral
grandeur in Europe. Standing alone, in a wide choir, it is much more
conspicuous and striking than a monumental fabric raised against a
wall, at the same time that its sides are so varied as to present each
a new spectacle. It was begun in 1609, by order of the States General,
and completed in 1621; the artist, HENDRIK DE KEYZER, receiving 28,000
florins as its price, and 2000 more as a present. The length is 20
feet, the breadth 15, and height 27. A bronze statue of the Prince,
sitting in full armour, with his sword, scarf, and commander's staff,
renders one side the chief; on the other is his effigy in white marble,
lying at full length; and at his feet, in the same marble, the figure
of the dog, which is said to have refused food from the moment of its
master's death. Round the tomb, twenty-two columns of veined or black
Italian marble, of the Doric order, and, with bases and capitals of
white marble, support a roof or canopy, ornamented with many emblems,
and with the _achievements_ of the Prince.
At the corners, are the statues of Religion, Liberty, Justice, and
Fortitude, of which the first rests upon a piece of black marble, on
which is inscribed in golden letters the name of CHRIST; and the second
holds a cap, with the inscription _Aurea Libertas_. On the four sides
of the canopy are the devices of the Prince, with the inscriptions
JEHOVAH.--_Je maintiendrai Piété et Justice._--_Te Vindice, tuta
Libertas._--And, _Sævis tranquillus in Undis_.
There are many other ornaments, which give dignity or elegance to the
structure, but cannot be described without tediousness. The well-known
Epitaph is certainly worth transcribing:
D. O. M. et eternæ memoriæ Gulielmi Nassoviæ, supremi Auransionensium
Principis, Patr. patriæ, qui Belgii fortunis suas posthabuit et
suorum; validissimos exercitus ære plurimum privato bis conscripsit,
bis induxit; ordinum auspiciis Hispaniæ tyrannidem propulit; veræ
religionis cultum, avitas patriæ leges revocavit, restituit; ipsam
denique libertatem tantum non assertam, Mauritio Principi, paternæ
virtutis hæredi filio, stabiliendam reliquit. Herois vere pii,
prudentis, invicti, quem Philip. II. Hisp. R. Europæ timor, timuit;
non domuit, non terruit; sed empto percussore fraude nefanda sustulit;
Fœderat. Belgii provinc. perenni memor. monum. fec.
Public-domain text, read in full here on John Shaqi.
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