One of the best excursions from the Hague is made to the _Maison du Bois_, a small palace of the Prince of ORANGE, in a wood, which commences almost at the northern gate of the town. This wood is called a park, but it is open to the public roads from Leyden, Haerlem and Amsterdam, which pass through its noble alleys of oak and beech. It is remarkable for having so much attracted the regard of Philip the Second, that, in the campaign of 1574, he ordered his officers not to destroy it; and is probably the only thing, not destined for himself, of which this ample destroyer of human kind and of his own family ever directed the preservation. LOUIS the FOURTEENTH, probably having heard the praises of this care, left the mall of Utrecht to be a monument of similar tenderness, during an unprovoked invasion, which cost ten thousand lives. The apartments of the _Maison du Bois_ are very variously furnished. The best are fitted up with a light grey sattin, imbossed with Chinese birds and plants, in silk and feathers of the most beautiful tints; the window curtains, screens and coverings of the sophas and chairs are the same, and the frames of the latter are also of Chinese workmanship. Nothing more delicate and tasteful can be conceived; but, that you may not be quite distracted with admiration, the carpets are such as an English merchant would scarcely receive into a parlour. The furniture of the state bed-chamber is valuable, and has once been splendid; a light balustrade of curious Japan work, about three feet high, runs across the room, and divides that part, in which the bed stands, from the remainder. The Princess's drawing-room, in which card parties are sometimes held, is well embellished with paintings, and may be called a superb apartment; but here again there is an instance of the incompleteness, said to be observable in the furniture of all rooms, out of England. Of four card tables two are odd ones, and literally would be despised in a broker's shop in London. The great glory of the house is the _Salle d'Orange_, an oblong saloon of noble height, with pannels, painted by nine celebrated painters of the Flemish and Dutch schools, among whom VAN TULDEN, a pupil of RUBENS, has observed his manner so much in a workshop of Vulcan and in a figure of Venus forming a trophy, that they have been usually attributed to his master. The subjects on the pannels and ceiling are all allegorical, and complimentary, for the most part, to the Princes of the House of Orange, especially to FREDERIC HENRY, the son of the first WILLIAM and the grandson of the Admiral COLIGNY. It was at the expence of his widow, that the house was built and the saloon thus ornamented.