A Journey to Katmandu (the Capital of Napaul), with the Camp of Jung Bahadoor: Including a Sketch of the Nepaulese Ambassador at HomeOliphant, Laurence
History
A Journey to Katmandu (the Capital of Napaul), with the Camp of Jung Bahadoor: Including a Sketch of the Nepaulese Ambassador at Home
Oliphant, Laurence
Nepal -- Description and travel
her second choice be not of lower caste than herself, she may leave him
at pleasure and return to her original spouse, resuming the charge of any
family she may have had by him.
The Ghorkas are the conquerors of Nepaul, and now compose the army; they
have grants of land called jaghires, on which they live when not actually
on service. They are a handsome and independent race, priding themselves
upon not being able to do anything but fight; and in their free and
sometimes noble carriage often reminded me of the Tyrolese.
Besides the Ghorkas and Newars there are two or three other tribes, each
consisting of but a limited number, and possessing no peculiar
distinguishing marks, except the differences to be found in their
religious opinions, which are generally a mixture of the Bhuddist and
Hindoo creeds.
But to return to the temple of Pusputnath. This celebrated edifice is
said to have been erected by Pussoopush Deoth, the fourth prince of the
Soorijbunsee dynasty; and so sacred is the temple considered, that a
pilgrimage to its shrines is held to be more meritorious than any other
act that can be performed by a Hindoo. As the massive folding-doors
opened before us, the view of the court-yard was certainly more striking
than anything I had yet seen of the sort. Immediately opposite the
handsome gateway, and situated in the centre of the court-yard, was the
temple, roofed with lead, while the edges were ornamented with a
profusion of gold leaf. Beside the large doors of massive silver were
finely carved windows, covered in all directions with devices in the same
precious metal.
Four sculptured lions guarded the double flight of steps, while at the
bottom of the principal flight was a large figure of a kneeling bull
(nanda), executed in copper, and superbly gilt. The rest of the court-
yard was filled with images and shrines of various descriptions; a
kneeling figure of Siva, a huge bell, more lions, and other sacred
objects being studded throughout it in odd confusion. After looking at
the varied and somewhat brilliant objects about us, our attention was
directed to the roof of the temple, and certainly the transition from the
sublime to the ridiculous was extraordinary. Pots, pans, old kukris,
dusty-looking musical instruments, goods and chattels of all
descriptions, such as one might imagine would form the contents of a
Nepaulese pawnbroker's shop, if there is any such establishment here,
were wedged together indiscriminately beneath the projecting roof of the
pagoda, for of that Chinese form was this much venerated _Hindoo_ temple.
This mass of incongruous wares, as far as I could learn, was composed of
the unclaimed goods of pious worshippers, persons dying without known
heirs, and certainly, to judge from their appearance, the heirs did not
lose much by not establishing their claims.
Public-domain text, read in full here on John Shaqi.
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