A Key to Uncle Tom's Cabin: Presenting the original facts and documents upon which the story is founded. Together with corroborative statements verifying the truth of the work.Stowe, Harriet Beecher
History
A Key to Uncle Tom's Cabin: Presenting the original facts and documents upon which the story is founded. Together with corroborative statements verifying the truth of the work.
Stowe, Harriet Beecher
Enslaved persons -- United States -- Social conditions; Literature and society -- United States -- History -- 19th century; Political fiction -- Sources; Stowe, Harriet Beecher, 1811-1896. Uncle Tom's cabin -- Sources; Uncle Tom (Fictitious character)
Write to me about the crooked-fingered negro, and let me know which
hand and which finger, color, &c.; likewise any mark the fellow has
who says he got away from the negro-buyer, with his height and
color, or any other you think has run off.
Give my respects to your partner, and be sure you write to no person
but myself. If any person writes to you, you can inform me of it,
and I will try to _buy_ from them. I think we can make money, if we
do business together; for I have plenty of money, if you can find
plenty of negroes. Let me know if Daniel is still where he was, and
if you have heard anything of Francis since I left you. Accept for
yourself my regard and esteem.
REUBEN B. CARLLEY.
JOHN C. SAUNDERS.
This letter strikingly illustrates the character of these
fellow-patriots with whom the great men of our land have been acting in
conjunction, in carrying out the beneficent provisions of the Fugitive
Slave Law.
With regard to the _Kephart_ named in this letter the community of
Boston may have a special interest to know further particulars, as he
was one of the dignitaries sent from the South to assist the good
citizens of that place in the religious and patriotic enterprise of
1851, at the time that Shadrach was unfortunately rescued. It therefore
may be well to introduce somewhat particularly JOHN KEPHART, as sketched
by RICHARD H. DANA, Jr., one of the lawyers employed in the defence of
the perpetrators of the rescue.
I shall never forget John Caphart. I have been eleven years at the
bar, and in that time have seen many developments of vice and
hardness, but I never met with anything so cold-blooded as the
testimony of that man. John Caphart is a tall, sallow man, of about
fifty, with jet-black hair, a restless, dark eye, and an anxious,
care-worn look, which, had there been enough of moral element in the
expression, might be called melancholy. His frame was strong, and in
youth he had evidently been powerful, but he was not robust. Yet
there was a calm, cruel look, a power of will and a quickness of
muscular action, which still render him a terror in his vocation.
In the manner of giving in his testimony there was no bluster or
outward show of insolence. His contempt for the humane feelings of
the audience and community about him was too true to require any
assumption of that kind. He neither paraded nor attempted to conceal
the worst features of his calling. He treated it as a matter of
business which he knew the community shuddered at, but the moral
nature of which he was utterly indifferent to, beyond a certain
secret pleasure in thus indirectly inflicting a little torture on
his hearers.
I am not, however, altogether clear, to do John Caphart justice,
that he is entirely conscience-proof. There was something in his
anxious look which leaves one not without hope.
Public-domain text, read in full here on John Shaqi.
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